13,360 Free Images of Hand Colored

plants engraving ornament england botany period great britain hand colored 1829 copper engraving

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School for Modern Greeks, Thomas Rowlandson, 10 May 1802

prints by thomas rowlandson in the metropolitan museum of art romanticism

Pull'd Turkey, Collard Pig, A Calf's Pluck and Rusty Bacon, Thomas Rowlandson, 1807

sir edward herbert bunbury romanticism

A Friendly Visit, Thomas Rowlandson, 16 April 1814

satirical art works romanticism

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Great Black Woodpecker (Dryocopus martius), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and henry constantine richter

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

RICHARDVILLE; The Head Chief of the Miami Tribe of the Indians, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le thesauriseur et la singe (The Miser and the Monkey), Jean-Baptiste Oudry, published 1759

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Keokuk, Chief of the Sacs and Foxes, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

Study sheet with arms and hands, Peter Paul Rubens, between 1610 and 1613

drawings by peter paul rubens in the kupferstich-kabinett (dresden)flemish baroque painting,baroque

Detail of landscape by Wu Pin (Wu Bin), ink and color on paper, 1610, Wu Bin

hand scrolls from china in the honolulu museum of art wu bin

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Capitol at Washington, Nathaniel Currier, circa 1850

lithographs in the national gallery of art (washington, d.c.)lithographs of washington, d.c.

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Procession of the Knights of the Garter, Marcus Gheeraerts the Elder, 1576

procession of knights of the garter by marcus gheeraerts i hand colored etching

The Little Black Bullfinch (Rubicilla minor nigra), Johann Michael Seligmann, probably 1743/1762

etchings in the national gallery of art (washington, d.c.)works by johann michael seligmann after mark catesby

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

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Mata Hari 8, 1906

hand-colored photographs of mata hari postcards by lucien waléry

Mata Hari 9, 1906

hand-colored photographs of mata hari postcards by lucien waléry

Jacques de Falaise le polyphage, 1816

louis-marie lanté 1816 in paris

Christ on the Mount of Olives, Albrecht Dürer, 1508 and 1580s

engravings by albrecht dürer in the national gallery of art german renaissance

Character cheerful child

vegetables character

Motion Picture, 1 May 1915

motion picture covers antonio moreno

Japon-1886-08, before 1886

photographs of japan by raimund von stillfried adolfo farsari album 01

Les Glaces, 1801

ice cream in france le bon genre

Yagan cropped, George Cruikshank

images of yagan that may be disturbing and offensive engravings by george cruikshank

Aquatint of a Doctor in divinity at the University of Oxford, shown wearing convocation dress, Rudolph Ackermann

academic dress of the university of oxford academic dresses in art

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

Lachnolaimus maximusCatesbyV2P015AA, 1754

the natural history of carolina, florida, and the bahama islands (1754)lachnolaimus maximus

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Cerito [sic] in the Sylphide., 1846

jerome robbins dance division fanny cerrito in la sylphide

Portrait of Eleonora Maria Teresa of Savoy, Domenico Duprà, between 1740 and 1760

portraits of princesses of savoy (series in the royal palace of turin, overdoors in the dining hall)portrait paintings by domenico duprà (house of savoy)

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Platycercus Stanley II / Stanley Parrakeet (young male) (Plate 24), Edward Lear, 1832

lithograph prints in the yale center for british art bird illustrations by edward lear

First Landing of Americans in Japan by Eliphalet M. Brown after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200268B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

Exercise of Troops in Temple Grounds, by Eliphalet M. Brown after Peter Bernard William Heine, 1856, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200266B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess, George Cruikshank, 1835

etchings in the yale center for british art etchings by george cruikshank

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805

aquatint prints in the yale center for british art james gillray

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love...", Thomas Burke, 1789

etchings in the yale center for british art thomas burke (artist)

Second aerial travelers, or experience of Messrs. Charles and Robert made in Paris in the flowerbed of the Royal Garden of Thuilleries on December 1, 1783. View taken from the Pont Royal.

first manned hydrogen balloon flight by jacques charles benoît louis prévost

Steamer *Yellow-Stone* (1833) - *Missouri River Expedition*, Karl Bodmer, 1832–1834

prints by karl bodmer barbizon school

The Aristocratic Crusade, or Chilvalry Revived by Don Quixote de St. Omer and His Friend Sancho, Isaac Cruikshank, 1791

etchings in the yale center for british art isaac cruikshank

Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton, Charles Williams, 1802

etchings in the yale center for british art charles williams (caricaturist)

Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795

etchings in the yale center for british art isaac cruikshank

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