13,360 Free Images of Hand Colored

yale center for british art the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis engraving ornament plants england

Pass-Room Bridewell (Microcosm of London, plate 12), Augustus Charles Pugin, 1808

prints in the metropolitan museum of art augustus charles pugin

Krátký, F. - Petrohrad - Egyptský most (1896)

františek krátký romanticism

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

"Elegance Democratique." A Sketch Found Near High-Wycombe, James Gillray, 8 July 1799

prints in the metropolitan museum of art caricatures of people

Portrait of John Foster, 1st Baron Oriel (1740-1828), Gilbert Stuart, circa 1790-1791

male portrait paintings by gilbert stuart neoclassicism

Wooded Landscape with Herdsmen Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle, Thomas Gainsborough, 1797

prints by thomas gainsborough rococo

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit), Jean-Baptiste Oudry, published 1756

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Le renard et les poulets d'Inde (The Fox and the Hens from India), Jean-Baptiste Oudry, published 1759

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

Haemanthus, Georg Dionysius Ehret, published 1750-1773

engravings in the national gallery of art (washington, d.c.)georg dionysius ehret

Les deux chiens et l'ane mort (Two Dogs and the Dead Donkey), Jean-Baptiste Oudry, published 1756

etchings in the national gallery of art (washington, d.c.)etchings of dogs

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

"Sketch of Rare Birds", Huang Quan

paintings of the five dynasties and ten kingdoms in the palace museum hand scrolls from china

paintings in the palace museum six steeds of zhao mausoleum

Birds of Australia Mathews vol 6 plate 313, 1916–17

the birds of australia (matthews)psephotus pulcherrimus

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

"Zhao Chang's Sketch of Butterflies", Zhao Chang

12th-century paintings from china zhao chang

Water Studies, Ma Yuan

paintings of the song dynasty in the palace museum shan shui paintings in the palace museum

The fall of Sebastopol LCCN2002706765, 1856

e. b. & e. c. kellogg crimean war in art

n106_w1150

n85_w1150

n76_w1150

View of the New York Quarantine, Staten Island, William James Bennett, published 1833

prints in the national gallery of art (washington, d.c.)chromolithographs

Sih-Chidä and Mahchsi-Karehde, Karl Bodmer, 1841

prints in the national gallery of art (washington, d.c.)barbizon school

Attacus edwardsii, White, Robert Mintern, 1840-1880 (circa)

coloured lithographs in the british museum lithographs of animals

n184_w1150

n92_w1150

n212_w1150

n37_w1150

Untitled

Give a Hand

Melchior Ditmar von Wittgenstein, Johann Jakob Schmitz, circa 1780-1784

melchior dittmar von wittgenstein johann jakob schmitz

n62_w1150

n73_w1150

n19_w1150

n134_w1150

n246_w1150

n192_w1150

n95_w1150

n30_w1150

Landing of Commodore Perry, Officers and Men of the Squadron... by Eliphalet M. Brown, Jr., after Peter Bernard William Heine, 1855, color lithograph with hand-coloring on paper, from the National Portrait Gallery - NPG-8200262B 1, Eliphalet Brown Jr.

perry expedition by eliphalet brown jr.perry expedition in art

Portrait of Princess in white silk dress, Johann Ender, circa 1825

portrait paintings by johann ender princess louise of baden

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Campephilus principalisCatesbyV1P016AA, Mark Catesby, 1754

campephilus principalis (illustrations)mark catesby

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Portrait of 2 Unidentified Women, circa 1850

hand colored photographs in the los angeles county museum of art portrait photographs in the los angeles county museum of art

L'Egoïsme personnifié, circa 1800

caricatures selfishness

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

John Banvard by Charles Baugniet, 1849, hand-colored lithograph with tintstone on paper, from the National Portrait Gallery - NPG-NPG 83 178Banvard-00000, John Banvard

charles baugniet john banvard

Single Combat, in Moorfields, or Magnanimous Paul O! - Challenging all O! (from: Caricature, vol. 4), Thomas Rowlandson, 1801

etchings in the yale center for british art romanticism

Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations, James Gillray, 1795

etchings in the yale center for british art james gillray

Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792

etchings in the yale center for british art isaac cruikshank

The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton), James Gillray, 1797

etchings in the yale center for british art james gillray

Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

A Deputation from one of the Popular Societies of France, Endeavouring to Persuade John Bull that he can do better Without a Head than with one!!, Isaac Cruikshank, 1794

etchings in the yale center for british art isaac cruikshank

"Du Qiong Yousong Picture Scroll", Du Qiong

paintings of the ming dynasty in the palace museum du qiong

paintings of the yuan dynasty in the palace museum hand scrolls from china - yuan dynasty

paintings of the yuan dynasty in the palace museum hand scrolls from china - yuan dynasty

raster 070119 - hand colored sepia

textures example

The Ring upon Thy Hand

mythology female

View near Hudson from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall

prints by william guy wall hand-colored aquatint

Rufous-breasted Bamboo Partridge (Bambusicola Hyperythra), John Gould

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Peep of Day Boy's Preventing an Union by Adding Fire to the Sun. / An Irish Method of Throwing Cold Water on a Subject!, Isaac Cruikshank, 1799

etchings in the yale center for british art isaac cruikshank

Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter), Jean-Baptiste Oudry, published 1759

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798

etchings in the yale center for british art isaac cruikshank

Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798

etchings in the yale center for british art james gillray

A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger, Isaac Cruikshank, 1793

etchings in the yale center for british art isaac cruikshank

The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe., James Gillray, 1792

etchings in the yale center for british art james gillray

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane, Edward Hughes, 1832

aquatint prints in the yale center for british art pre-raphaelite brotherhood

Set of six with printed wrapper, Plate 3: The Fox Silently Entering the Poultry Yard, Thomas Mann Baynes, 1836

lithograph prints in the yale center for british art thomas mann baynes

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Youth, John Boydell, 1 February 1768

phillip joseph tassaert john boydell

Postcard of Ljubljana, Pogačar Square, 1906

postcards of ljubljana cathedral postcards of pogačar square

A Pygmy Cat Hunt, Borders for Rooms & Halls, Plate 9, Thomas Rowlandson, 20 June 1799

satirical art works romanticism

Sioux Chief’s Funeral Scaffold - Prince Maximilian’s *Voyage*, Karl Bodmer, 1832–1834

native americans in art by karl bodmer barbizon school

Les Musards de la Rue du Coq à Paris (Dawdlers of the Rue Coq), Thomas Rowlandson, circa 1810

satirical art works romanticism

A Nincompoop, or Hen Peck'd Husband, Thomas Rowlandson, 24 April 1807

a nincompoop, or hen peck'd husband romanticism

"Qiu Ying's Return to Fen", Qiu Ying

paintings of the ming dynasty in the palace museum hand scrolls from china - ming dynasty

"Dai into the Sea Rising Sun Scroll", Dai Jin

paintings of the ming dynasty in the palace museum hand scrolls from china - ming dynasty

St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone, James Gillray, 1797

etchings in the yale center for british art james gillray

Le vieux chat et la jeune Souris (The Old Catand the Young Mouse), Jean-Baptiste Oudry, published 1759

etchings in the national gallery of art (washington, d.c.)works after jean-baptiste oudry

Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782

etchings in the yale center for british art james gillray

A Woman Carrying Two Children in a Basket, with a Musician, Giovanni Francesco Costa, circa 1747

etchings in the national gallery of art (washington, d.c.)giovanni francesco costa

[Fox-hunting] set of four: (3) Full Cry / Hounds Crossing the Brighton Road at Mersham, Dean Wolstenholme the younger

aquatint prints in the yale center for british art dean wolstenholme jr.

5301 - 5400 of 13,360 Next page

/ 134