3,613 Royalty-Free Audio Tracks for "3"

A 2/3 full plastic ballpoint pen writes in blue on a blanco a4 paper. Recorded with a zoom h5n.

3 modified bicycles going by with kids playing aside. We mounted a plastic sheet to the frame so it rattles on the spokes.

Image for describing cambiata as nonchord tone pattern. Created by Hyacinth (talk) 18:41, 3 November 2011 (UTC) using Sibelius.

Pt. 1: Footbridge Shifts Pt. 2: Photon Gasification Pt. 3: Lounging, Hiding, Offing

Deep & dark drone. Created with 3 synths, layered sounds.

Gentle rain pouring on the hood of a car recorded from the inside, with ntg-3.

Linear sine sweep from 10hz to 22000hz over 3 seconds.

Drum beats , 3 low pitch, deep booming drum hits close together. Zoom h1 microphone. Sounds slightly tribal.

Night at the river. Recorded with zoom h2 on the 3. Of october 2015 12:00 pm local time in puch/urstein, austria. Not edited.

Firstline vcr-601 rewinding a 3 hours tape. Recorded with audacity using a samson meteor mic.

Cigarette box handling, shaking (with 3 cigarettes in it), dropping, opening, pulling cigarette out, etc.

Moan 3 is a low pitch moan with echo done in audiocity by rose queen of scream. For that creepy touch.

Description de base:sound 4. 3 seconds. Typologie:. Continu complexe. Masse: son seul , nodal. Timbre harmonique: parasitaire. .

An oddly low 1-3-2 error tone that's coming out of a couple dells i've been working on.

Sci-Fi Soundtrack I am more concerned than I was a moment ago! Level 3. - Kevin MacLeod

A catarpillar recorded closely with a zoom h4n internal mic plus sanken cs-3.

Consonants captured using simplesong mac os 9 based on plaintalk (macintalk 3) vocal synthesis engine.

Girl's voice singing. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.

Short burst of vinyl scratch for sudden stops. Made from 3 composite sounds.

I changed the clip to 10. 005 seconds, normalized it to -3db, faded in at 3 seconds and faded out at 7. 005 seconds.

10. 005 seconds of water streaming. 3 seconds of fade in and fade out.

Cit siren located really far away in 3 miles away.

George Frideric Handel: Messiah

This is the sound of kazoo adapted to a specific tone. Example of use https://youtu. Be/zvfinmbvvfw?t=3.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Sleep music form act 3 of Wagner's opera Die Walküre.

Gentle rain pouring on the windscreen of a car recorded from the inside, with ntg-3.

Details of the voice leading in m. 3-7 of BWV 941: original

A simple countdown sound (3. 5 s long), i use in a sport timing program. Created myself with audacity.

I generate 2 tracks. For the former, i have generated a wave whistle sinusoid, log on interpolating 3 seconds. Then i add silences and i put the echo effect. On the second track, i generated an a in 3 seconds, then i added the wah-wah effects, cross fade in and out. Finally, i deleted the sound on the 2 tracks.

I recorded the acoustic guitar with audacity, then added the fx with reaper. It is named 5pm because that was the time when i recorded it. In reaper i made 3 tracks of the same recording and added different fx to each one:track 1 contained reverb and flange with adjusted tempo. Track 2 contained a pitch delay doubler. Track 3 contained a resonant lowpass filter - low quality.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Stars and Stripes Forever" (1896) as performed by the United States Marine Band. Track 53 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The High School Cadets" (1890) as performed by the United States Marine Band. Track 40 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Homeward Bound" (1891-1892) as performed by the United States Marine Band. Track 42 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Corcoran Cadets" (1890) as performed by the United States Marine Band. Track 39 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Sveriges Radios folkmusikinspelningar. Värmland/Dalslandsresan 1951 Dokumentatör: Olof Forsén, Qvitt Holmgren (Radiotjänst) Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: 51/14284:3:3

Sveriges Radios folkmusikinspelningar. Gotlandsresan 1956 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: Ma 56/10126:3:3

John Philip Sousa's "Homeward Bound" (1891-1892) as performed by the United States Marine Band. Track 42 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Royal Trumpets" (1892) as performed by the United States Marine Band. Track 44 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

Polish: to jest nagranie mojego wentylatora, który świetnie imituje silnik samolotu. Wykonane rekorderem zoom h5 w upalny dzień. 3 biegi po kolei włączane i wyłączane. English (google translation): this is the recording of my fan that perfectly imitates the airplane engine. Made with zoom h5 recorder on a hot day. 3 gears switched on and off one by one.

This is an audio recording of brood x cicadas from a tree in my yard recorded on june 1, 2021 in northern virginia. Please note there is a mail truck that you can hear at around the 1:40 mark and some neighborhood workers speaking at 2:05 with a nail gun at 3:33. Birds come in at 2:40 and the cicadas really begin to crescendo at 3:14.