4,254 Royalty-Free Audio Tracks for "Bass"

Can be used in hardcore or helblinde styled tracks. This loop is made in flstudio 10 with a hardcore kick and serum.

Sixteen-bar progression - repeating variety: third section's first half repeated twice.

Ｃｏｗｏｒｋ　Ｐａｒｔｙ　Ｔｉｍｅ by Anonymous420

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Dubstep growl sound fx.

The title says everything. A distorted reese. But now with flanger and phaser. Its darker and harder than asdfreese.

Various whooshes created with recordings from a highway underpass, a tattoo machine, a bowed electric bass and a washer on a string.

A big band style jazz song.

Ｓｕｍｍｅｒ™　Ｂｌｕｅｓ by Anonymous420

I hope you'll find this rather useful for whatever you're doing.

Beat in 125 bpm. Beat of an upcoming track.

This is almost the same kick drum i´ve uploaded previously, but this has more compression and overtones in the sub bass, along with an interesting technique i´ve been doing, lemme explain. . . I put the original sample twice in my daw (fl studio if you ask),leave the first sound like it is and the second sample is being equalized in a way that only the sub bass is being showed, so i added to that the saturation plugin ivgi2 from klangheim industries and slammed it with the plugin ott by xfer records about 9 times. Equalized the sound again to cut the sub bass and leave the raw high end sound you hear, finally added an izotope ozone imager to make it wider.

Bas et bagarre by Frederic Lardon

Sonofor lv426 la va da ba fa el.

Les Huguenots: extrait de la Conjuration avec Marthe Bakkers soprano (Valentine), Pierre d'Assy basse (St Bris), Emile Boussagol baryton (Nevers). Orchestre et choeur dirigés par Alfred Fock. Enregistré en 1909Les Huguenots: extract of the Conjuration with Marthe Bakkers soprano (Valentine), Pierre d'Assy bass (St Bris), Emile Boussagol baryton (Nevers). Orchestra and chorus conducted by Alfred Fock. Recorded in 1909

A tabla loop played only with the bayan (the bass drum). The taal is kherwa (the rhythm) and the bayan isn't used at all. Recorded using behringer c-1u, recorded in adobe audition, and finally did some eqing (the major part of the eqing was removing the 60 hz hum and the obnoxious other harmonics). Enjoy!.

A peculiar local brand of fruit juice sold in small plastic bags with a straw will sometimes vibrate violently when sipped, producing this deep groaning sound. I've yet to discover what exactly causes this to happen. When trying to record it i experimented with straw positioning, sipping strength, holding angle of the pack, and couldn't get it to consistently rumble. This may be a marketing conspiracy to get audio people to stock up on juice to master how to perform the packaging. Recorded with sony pcm-d100, edited and denoised in izotope rx 7.

A bassline i threw together in fl studios mobile. Made with gmsynth, and was resembled and chopped up. Enjoy!.

A seperate raw recording of the bottom of "snare 1 (t_cd 55 + b_bd 200). Wav"make sure to flip the phase on this one.

Live session performed by zhenya pikulev in ableton live recorded in saint petersburg 14/11/2017.

Straight c saw from the all analog akai timbre wolf synthesizer.

Static from the 760 khz mark of the am radio band, with spikes to the high side of the tone and very little bass.

This is a branding logo i made in pro tools rewire reason.

Sound of pounding my fist on a table with a little bit of rattle and a lot of low end. Great for adding bass to an impact.

Made in audacity with a couple of sounds from audio stock site. Can be used as a big distant explosion.

I accidentally played low notes while making a synth pad and it sounded terrifying. Please take it away from me.

Random sound which i've given in my sequencer ) i made it with melda phaser vst + arturia pigments vsti. 61 bpm.

Ab - 88bpm. I have another one in eb if you'd prefer that.

I made this bass drum using one of the glass hit samples i found on this website. Sounds nice on big sound systems, may destroy smaller ones.

Recorded myself making grunts, added some bass/pitchshift to make it sound like a beast/bear. Recorded on iphone 8 in my bathroom.

A deep explosion sound that lasts a while. If you find this handy, feel free to use for your project!.

This is honestly my first of many tracks. I wanted to create something that would seem like a final boss fight. This beat is conclusive, and not made for looping.

Some sounds inspired by the film jumper(2008). I was layered some white noise, bass and balloon sounds together to create these sounds.

At 140 bpm, this is 1/4th of a bar long instead of just 1/8th of a bar long, so it is better for custom break beats.

Little kit thingy i'm working on, feel free to use it! made in fl studio 11, using bassdrum, drumkit, and lots of eq and distortion.

A chord loop which is used in one of my tracks called charcoal grey.

Subscribe my youtube channel :-)for new sampleshttps://www. Youtube. Com/channel/ucdczpiqtmozpywfzhuhuwsafacebook.

A steady 140-bpm drum pounding with some psychotic noises on top and boomy 808s underneath. Created in fl studio.

Fragmento de. Ritmo con sintetizador pesado. Graves. Cojín de fondo. Hecho con mi roland mc-307.

Rhythm guitar, lead guitar and bass.

Harsh noise ambient texture with stereo spacing and lots of bass. Good for horror ambiences or electroacoustic / noise projects.

A 24 bit, 96khz stereo sound effect of a long deep trembling rumble. Perfect for films.

Drum roll with cymbal clash. Made from a midi sequence of a drum-roll, a bass drum kick, and a cymbal clash. I used a yamaha s-30 synthesiser.

Canter rhythm depicted by the ride cymbal of a drum set whose bass and snare play boom-chick-chick in 3/4.

A powerful orchestral metal song.

Just something i created in spare time. Its some ok snares and sounds good in a song.

Ｗｏｒｋ　Ｍｕｓｉｃ by Anonymous420

Bauer tan tan drum playing a basic bossa/samba pattern.

Short music loop that works with smooth vibe music loop. Wav.

Layered synthesis of the sound of a big hit. 1 layer. Recorded sound of a blow to the pillow (take with a percussion tint)2 layer. Recorded sound of a blow to the pillow (double low kick)3 layer. Recorded sound of a blow to the pillow (variation of a low-kick double with a low pitch and a different attack phase)4 layer. The sound of a low-frequency sweep, like in a synthetic bass drum, obtained on a synthesizer. )an additional layer of metal impact (recorded by me) is not present in all variations of the sound presented. Each layer was subjected to quite extreme compression and equalization. A bit of overdrive is present. Well, convolutional reverb.