1,327 Royalty-Free Audio Tracks for "Chords"

An acoustic guitar chord recorded through a set of guitar plugins for extra fun!this one is am9.

3-10 trichord on C. Diminished chord.

This is something what i'm thinking of for a while. It's not very musical but i'm trying to find how are this type of chords useful?. When i listen this chord it gives me some strange sad-happy mood that changes rapidly in my head.

La Monte Young's magic chord. Tuned from E = 1/1.Gann, Kyle (1997). "La Monte Young's The Well-Tuned Piano", La Monte Young Web Page.

A (5th) string 5th fret, and the d (4th) string 5th fret. Down strum. Palm muted.

Electric guitar being routed from the output of a bass amp into a danelectro "honeytone" miniamp with maximum volume and distortion on both. Full sustain, miked 24bit wide-stereo.

Chord progression of La Folia theme, a common harmonic pattern in baroque music. After chord notation provided by User:Hyacinth at en:File:Later Folia.png. Self-made with Lilypond

Vocal style pad. Single chord shot. Smooth, futuristic, processed choir sound.

3-9A trichord on C. Sus2 chord.

3-12 trichord on C. Augmented chord.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: I-III-I.

A 24 bit, 96khz stereo recording of a vacuum cleaner chord being pulled out of it's spring box.

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

A dirty chord. Probably good for granular synthesis.

Short synth chord clip. Probably good for granular synthesis.

4-28 (diminished seventh chord) tetrachord on C

Dominant and dominant parallel in C minor: Gm and BM chords.

Short synth chord clip. Probably good for granular synthesis.

A noir-style vibraphone chord that might play when you find a clue or crack the case.

A piano chord on my keyboard.

4-26 (minor seventh chord) tetrachord on C

Dominant and dominant parallel in C major: GM and Em chords.

Major triad on C. Created using Sibelius.

4-24 (aug. seventh chord) tetrachord on C

4-20 (major seventh chord) tetrachord on C

4-27A (dominant seventh chord) tetrachord on C

Some chords played on an arp solina string ensemble going through an electro harmonix small stone phaser pedal. Let me know how you re-use it!.

The yamaha qy-10 is playing a cm chord thru zoom ms-70cdr and the modular synth plays a patch that improvises around a cm7 chord. Well, thats it. . .

A guitar riff made with openmodplug tracker.

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Recorded classical guitar cuenca mod 10. Made in spain. The sound is recorded on condenser microphone octave mk-220 and fw 1814.

Piano samples band filtered remix.

Ambient layered chime arpeggio.

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯VI-i.

Pandiatonic chord with nonharmonic bass in Igor Stravinsky's Symphony of Psalms, 3rd movement.

Rap loop [cc zero]contains chords and bass, this sample is loopable.

Granular synth chord from some lo-fi noise i found, with additional reverb, width, and eq.

Man i keep making these loops lolol. The chords are e7 gmaj7 d7 d#7.

Complicated. Several synths & numerous fx involved. Oscillatoir chord 7 - 10 - 14 - 15 - 17 - 19.

Chord progressions involving the tonic, a chromatic mediant, and then the tonic: i-♯iii-i.

This is an improvised boogie-woogie blues chord progression, with both hands playing the rhythm, and another hand playing the unusual chords.

♭III+ chord in just intonation. Pitch bend matches intervals.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

5:6:7 = E, G, B7b = C, Eb, G7b.

Quartal chords descending by semitone. Created by Hyacinth (talk) 21:48, 2 February 2012 (UTC) using Sibelius 5.

120 bpm rising square arpegiated chords, feel free to use with anything. Synth patch is "square lead" from cubase's "prologue". Chord progression: amin d fmin bflat.