Recording of a building construction site with high winds; contains equipment drones, backup beeps, some backhoe noises, and occasional high wind with whistling. Recorded on an amazon basics usb condenser mic in stereo mode, and normalized to max volume before upload. This was originally me trying to record the wind sound, but there's really too much construction noise, so let's not waste it! :).
I have no idea what this was. I don't know if it's my voice or an external sound i didn't hear while recording. It was found randomly on my most recent recording of playing containment breach, and it was very quiet, so i increased the volume to try and figure out what it was, but it's still a mystery to me. Sooooooooooooo. . . . Here ya go!.
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Some loops i made in reaktor. They're made using a little wavetable-based synth which i built from scratch; the wavetable contains 32 home-grown waveforms, and the synth's parameters and effects are controlled by a bank of 16 sequencers. Good for glitch/minimal techno, and there are some nice individual bleeps/percussive sounds in there too. Enjoy!.
Are you tired of using the same recycled, renamed, repackaged, resold bass sounds?if you are dl this sample pack for you daw. This package gives you 10 sounds for free. Text "subwoofers nyghtmare" to 940. 268. 0033 for information on how to purchase the whole package which contains an additional 102 original bass sounds. For only $35.
Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.
Was out for a walk next to a bridge while a train went by, the rattle of the empty cargo containers contrasted rhythmically with the ones that were full. This is a loop so you can have an infinite train roll through your soundscape. Recorded on my cellphone and cleaned up in reaper. Production-now. Com - shout-outs welcome.
This is a recording of me, walking on the sidewalk of a road during heavy rain and wind. The cars passing me is driving through the water. I am using a røde blimp with deadcat in my hand, containing a sennheiser mkh 416 and a ambient ate 308 emesser in a ms-stereo setup. The recorder that i use is a zoom f6, but the ms-stereo decoding is done in pro tools in post. 32bit float 48khz.
This is a ready-to-go morphagene reel with markers for the fantastic make noise module. It contains a bunch of different recordings i made with an iphone and the mixpre iii. Just download, rename to suit a morphagene, and. . . Soouuunnd!.
*9 steps in 17 equal temperament on C = F♯ (Easley Blackwood's notation). Equal-tempered: 29/17:1 = 635.29 cents. MIDI pitch bend: 38,75 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on d5 on ~38,75 for 635.31 cents.
Heres a quality fat "street" beat ready for use in a aggressive hip-hop or big-beat production. Long sample containing subtle variations and a ending tail fx. Lots of bass and sub in the kick, designed to bang hard in a car system. Ps:would appreciate a link to interesting finished productions using it!.
Billy Murray sings "You're a Grand Old Flag". This recording contains the second of three sets of lyrics written for the song. ("You're a grand old flag, tho' you're torn to a rag...")
Author: Music and lyrics: George M. Cohan (1878-1942) Performer: Billy Murray (1877-1954)
A short clip of a small volume of liquid being transferred from one container to another with a nice ringing quality to it. I believe this is tea being poured into a mug, but i don't remember specifically. Recorded with a zoom h4n and edited in audacity. Apologies for the high noise floor on this clip, i had my preamp set for something else!.
Tags must contain only letters a-z, digits 0-9 and hyphen. Recorded this when i was about to take a shower. Recorded using macbook pro microphone at 195,000 hz, then rendered with a filter curve applied at 75 hz at 16-bit stereo, 64050 hz wav file. This can be looped every 100 seconds!.
*Pythagorean comma on C = B♯+++ (Ben Johnston's notation). 531441:524288 = 23.460010 cents. Limit: 3-limit. MIDI pitch bend: 65,71 (23.461914 cents) The note de picted as lower on the staff (B♯+++) is slightly higher in pitch (than C♮).
*Just major third on C = E. Just: 5:4 = 386.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 A M3 with pitch bend on 79,59 for about 386.31 cents rather than 400.
I just hit a glass with a spoon. Contains a little intended oversteer at the end. Recorded with the t. Bone sc450usb. Edit 2022: if you have published something with this sound on the internet or i can look at it some other way, you can dm it to me if you want. I would love to see what it has been used for!.
*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.
Author: The original uploader was Hyacinth at English Wikipedia.
Public bus ride in tel aviv, israel. Contains: motor sounds, people talking, mobile phones, bus noises, pa system announcing stations in hebrew. Recorded with my iphone se internal mic.
*7 steps in 72 equal temperament on C. Equal-tempered: 27/72:1 = 116.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 115.625 cents rather than 116.669. New version a m2 on 42,69 for 116.650390625 cents rather than 116.669.
*14 steps in 15 equal temperament on C = B↓ (Easley Blackwood's notation). Equal-tempered: 214/15:1 = 1120 cents. MIDI pitch bend: 51,70 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~179,69 on B.
Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
*4 steps in 72 equal temperament on C. Equal-tempered: 24/72:1 = 66.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 75 for 65.625 cents rather than 66.668. New version a PU on 42,85 for 66.6503906250 cents rather than 66.668.
21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.
*5 steps in 72 equal temperament on C. Equal-tempered: 25/72:1 = 83.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 84.375 cents rather than 83.335. New version a PU on 85,90 for 83.3251953125 cents rather than 83.335.
24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.
*13 steps in 15 equal temperament on C = A↑ (Easley Blackwood's notation). Equal-tempered: 213/15:1 = 1040 cents. MIDI pitch bend: 102,108 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Bb.
Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.
Author: Henry Burr, Peerless Quartet and Harry C. Browne
Raw audio of a selection of coins being rummaged through or shuffled around. This sound is part of the "gold coins" pack, which contains recordings of a pouch of about 100 prop coins. These coinds are, in fact, made of zinc, but that should be of little consequence. All sounds in this pack were recorded with a zoom h1n. Enjoy.
Hitting a half-full insulated klean kanteen water bottle with various objects. First short set with my fingertip, second set with the side of my varnished tin starbucks coffee mug and the third set with the side of a standard 3/8" plastic sharpie marker. According to my synth, this is extremely close to, if not spot-on with a d-natural (294 hz).
Trash can. Wave, 44. 1khz, 24bitstereo recording device: zoom h1 with xy-capsulelow-cut: yes (80hz)normalized. Location: leuphana universität lüneburg, gebäude 9. Lat: 53. 22904402093055lon: 10. 401027202606201. Date: 2013-11-20, 15:00h. Recorded and edited by: leon dutz. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Soundscape_humfaksound description: schließen eines altkleider containers - closing a charity collection binwave, 44. 1khz, 16bitrecording device: zoom h2next with xy-capsulelocation: universität zu köln, humanwissenschaftliche fakultät, gronewald straßelat: 50. 933063lon: 6. 919353date recorded: 2014-11-18recorded by: timea palotas and edited by: alexandra oepenthis recording was created during the seminar "gestaltung auditiver medien" (ws 2014/2015) intermedia, bachelor of arts, university of cologne.
First upload. Recorded with zoom h4n. It's flax seed in an empty plastic spice container. It's a 16th note rhythm amd it loops perfectly at 130 bpm. It has some fairly subtle panning effects. Eight quarter notes long, but also works really well every 4 quarters, every three etc. I. E. When doubled and even tripled on itself in a sequencer.
*35 steps in 72 equal temperament on C. Equal-tempered: 235/72:1 = 583.33 cents. MIDI pitch bend: 85,58 Created in Sibelius with midi pitch bend on 91 for 584.375 cents rather than 583.345. New version a P4 on 85,90 for 583.3251953125 cents rather than 583.345.
*1 step in 72 equal temperament on C. Equal-tempered: 21/72:1 = 16.67 cents. MIDI pitch bend: 43,69 Created in Sibelius with midi pitch bend on 69 for 15.625 cents rather than 16.667. New version a PU on 43,69 for 16.6748046875 cents.
*256 tone = 1 step in 768-tet on C. Equal-tempered: 21/(6*128):1 = 1.56 cents cents. MIDI pitch bend: 64,32 on m2 The 1023rd subharmonic is 1.69 cents, and Sibelius's pitch bend commands are not fine enough to distinguish between these two intervals, as is human perception.
A test tone that can be used for final mix for tv and other similar media. It contains 10 seconds of silence and then 30 seconds of a 1khz test tone (sine wave) with the digital level set at -6dbfs. Uploaded as 24/48 wav for post production work. See http://en. Wikipedia. Org/wiki/dbfs for some details on analogue alignment levels.
This is a clip which contains the background audio which i need enhanced. I can't quite make out all the words, but i do know that the words "rapin him" are said, and the name "carter", and "positive thing". When i recorded this clip, i put the conversation on a loop, trying to make it easier to edit it while i listened, but i still can't make it all out. Good luck.
Surround recording of the waterfalls in krka/croatia. Wide-angle recording of the falls in front, with some tourist voices in the rear channels. It is high summer, crickets are chirping audibly. A small brook flowing to the falls from right to left can be heard directly in front. Recorded with a zoom h2. This file contains the rear channels, recorded with a dispersion of 120°.
