Some hints of distortion. Some sloppy playing around doing some pull offs. Can probably add some extra delay or even reverse the track to get a weird playback. The name says it all, sloppy.
Recorded on 28/07/2010 at approx. 7pm at hong kong international airport. Severe rainstorms (red/black) caused a lot of flight delays/cancellations and hence airport chaos! recorded with a zoom h2 in 2-channel surround mode, with a windshield. File has not been modified.
In honor of my new guru pramahansa yogananda, i searched for a swan sample. Then i added: time stretch, high pass sweep, flange, rotator pann, delay @ 124 bpm,. Thank you guru, namaste.
Nlc jerk off without any input is the engine for this simple patch. In my little world i see nlcs chaos modules as a helping hand. I find the though of chaos very pleasing. . . Spring reverb and analog delay are used.
Evolving drone pad, i created this with a sequenced bellpad,that i sampled from the kawai k4r, pitched at multiple octaves some reversed some with reverb or delay, mixed with a water stream & windchimes stretched out 10x.
Stinger like sound effect which could be used for impact-horror scenes in which something outside the usual morality or humanities have occured. Made from pitch-shifted glass clinking, layering & stereophonic delay.
Recording of myself growling. Applied pitch bend, delay, speed and noise reduction. Recorded with at2020 mic and coexant hd audio, processed using audacity.
Note: you're not required to credit me and you're free to use this how you want but i prefer credit and id love to see what you create with this if you use this! thank you :). Made a riser out of a snare sample with reverb that i then reversed.
Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!.
This jump scare sound was created by playing 2 dissonant chords on a single coil telecaster mic'd up w/ a vox ac 10 amp. The two guitar tracks are panned left and right- reverb and delay are added. The delay tail you can hear oscillates between left and right speaker as it fades. Additionally, frequency enhancers were added between 4khz - 6khz which adds a higher tonal energy in the upper range of the guitar. Gain is added which can be heard as signal noise mostly at the end of the clip. Enjoy. Bainmack.
No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .
Self modulating a standard doepfer a-110 vco. We are listening to a square wave. I'm modulating with a sinus. I'm wiggling pwm and the degree of self modulation (and attack and decay). Spring reverb and analog delay from stomp box.
A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect, and tremolo sawtooth effect to increase ducking at a frequency, and added fade in and out. This is probably closer to the original.
Could be used for a scene transition or flash back. I don't know, use you imagination. . . Created by clipping a breath noise out of a recording i did and then created some stereo imaging and then added delay and some automated eq.
Using an analog "buttset" or test-set telephone, clipping the leads from an exfomaxtester device and hearing the tones from testing a line, at a terminal/crossbox location (roadside). Cut some low frequencies and added 2s, 5s, then 3s digital-delay effects automated and a reverb effect.
Ibanez guitar, lots of reverb and delay, using glass slide in conjunction with digitech whammy pedal,marshall amp, recorded with sm57 16 bit 44. 1 mono. Plenty of space in-between movements could be used as a whole or cut to taste. Great halloween filler!.
24-bit wav. Recorded with tascam dr-44wl on a windy day in my backyard. Hiding behind a fence using a hat as a wind shield. Stereo widening using hard pan and 5ms delay (so the first impulse of the sound is a bit weird).
Recorded with audacity 1. 2. 6, then normalized, echo (. 03,. 5), pitch (b to g#/ab, down, -15), delay (10,. 1, 10). Klaxon made using sony acid music studio 8 and sony sound loops.
Short clip of a casio sk-8 demo being played through pedals (boss me-30 on pitch shifter, alesis nanoverb on non-linear (reverse) reverb) and possibly others. Has an interesting blurred sound. . . Possibly good for looping. . .
Fulfilling a request in the forums. Open mary tts system, with a heaping spoonful of 'coding, glitching, filters and delay. I, for one, welcome our new robotic overlords. Kindly comment / attribute if you use this in anything fun. Cheers!. .
This is a looper i made in cubase with a vst instrument called rubber duck. Added a reverb and delay. It runs over several breaks at 112bpm. Hope you enjoy :).
Warning: harsh noise with resonant malefactors. Bad q ! bad q!. Noise sound through analog phase shifter and steiner parker filter through a holtech-based delay. I imagine this as a soundtrack to an ultraviolent horror movie scene.
A tech loop @ 150 bpm. Done in caustic 3. Layer of 3 loops1) 8 bit synth, glitchy synth break2) beatbox, normal 606 breakbeat low vol3) beatbox, percussion through bit crush & fast delay.
It's fun to patch up a kind of analog shift register (3 stages). Doepfer a-160 controls the stages. On a-160 i use /2, /4 and /8. I sample slewed noise. No quantizer.
Messing around in logic with some surround impulse responses and delay designs. Ended up with something that sounded a bit like a submarine sonar blip. . So i added the sound of a fridge, time stretched using the flex tool and pitch adjusted and now it sounds almost real :).
A dubby loop with some spacy lasergun effects. This loop was fully made with native intruments massive. If you like this loop you could also check my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy.
Lighter sounds captured for the mct - physical computing subject. It was capture with a small speaker as the input, capturing the sound of an empty lighter. The small speaker was plugged by alligator clamps in a 9v battery. After that i've processed the sounds a bit with a pinch of reverb, delay and some compression.
I've reset all my licenses to cc0. These are all public domain. I apologize for not responding sooner. I'm just now discovering most of the attention these pieces got. Thank you all who've commented. I'd have remained oblivious otherwise.
Athletissima meeting fireworks. The olympic stadium is uptown 2 miles far from my house. The sounds are distant, delayed and naturally reverberated by the central town buildings. Some bats passing by, perhaps a little frightened! 44. 1khz okmii->a3 pre->pmd660.
A metallic riser that could be used in a song or to build up to a moment in a game or film. Made by hitting a spoon with a metal cup (recording with an iphone), adding tape delay with lots of feedback and short time in logic pro x, and reversing the bounced audio. I'm really proud of this - it sounds really cool!.
Recording of a shy laughter performed by a student from the national school of arts, uruguay, playa hermosa. Gear:focusrite scarlett 2i2 3rdgensennheiser mkh50.
More loops on my youtube channelhttps://www. Youtube. Com/watch?v=lqeng-akqzi. Donations directly to me are welcome at this link below, i appreciate it. Https://www. Paypal. Com/paypalme/josefpres1. This sound can be combined with other sounds in the pack. Otherwise, it is well usable up to 120 bpm. Subscribe my youtube channel :-)for new samples. Https://youtu. Be/fzhu2rkaxvc?t=17. Facebook. Https://www. Facebook. Com/simplesamplesweb.
This is a small pack of sci-fi sfx that sound like sweeps from an alien origin. Feel free to use them however you like. Please support my youtube channel to say thanks youtube. Com/jvmyka.
Had a patch. Changed speed, attack and delay time. Got this. A bubbly noisy landscape. At the end i dissconect the "main lfo". The one thats makes things advance. But beyond that i get sounds.
An 8-bar drum loop at a bpm of 128. The loop contains a kick drum tuned to f0, a snare drum tuned to f2, an untuned hi-hat, and an untuned ride cymbal (as well as chopped delay and reverb effects).
6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.
Track was created using audacity®. The track was a generated chirp of 1 sec. Repeated once and then reversed. The gverb filter was used with a low early reflection and high room size value. And then the echo filter with 0. 2 delay time of seconds and decay factor of 0. 5 seconds was applied.
Layers of droning male vocal slowed down and looped with various pops, scratches, and thumps run through an assortment of guitar pedals including reverb, harmony, echo, delay, etc. . .
I recorded a bunch of guitar noodling to a fostex x-26 four-track recorder, then recorded the tape to my computer with goldwave wherein i cut out a segment which was looped and then processed with reverb effects and other vsts in fl studio.
A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.
Sound created by synthmaster one with wavetables created by me in waveedit, 24lp filter, chorus, delay fx and differents modulations, is a very impressive sound ideally made for dark gloomy and desolate environments. I would appreciate it if you show me what you did with him.
