968 Royalty-Free Audio Tracks for "Frequency"

Here is some am radio sound recorded from my laptop's soundcard whilst surfing twente university websdr.

A bionic man-like effect. Created in qtractor with calf organ and c* scape stereo delay. Processed in audacity to speed up velocity, added a tremolo inverse sawtooth effect to increase ducking at a frequency, and added fade in and out.

Synth phrase in d minor. Looped and used many times in live performance as a pad, kind of a drony texture with delays.

Creepy sirens all at slightly different frequencies. I recorded it with an iphone xr during some adverse weather with a tornado warning/watch.

This is a low hum sound generated by my naturalnoisegen program. Naturalnoisegen uses several timed generators to produce complex natural noises. In this case, 500 very low frequency generators with a long period were used.

Nice ringing from a wine glass rubbing. Stereo. A little hard attack---there are some bass frequencies in there you may want to eq out. .

Electromagnetic signal emanations from the power supply of a landline phone. Recorded with a small pickup coil using a tascam dr-05x.

Free! really high annoying white noise. Use it for tv and/or high disturbed signal or whatever. Ripped, recorded, worked and mixed with audacity. (mp3 - 11:39 mins).

An artistic experiment searching for sound emissions and the limit of human hearing. Composed of infrasonic material that have a lot of harmonic distortion. Humans will be able to identify tones as low as 12hz. From 1000 hz the auditory system decreases. Natural and human produced infrasonic sounds is anywhere, all the time. The artistic idea was to use background noises, signal fidelity, harmonic distortion, low-frequency in order to foster a soundscape of infrasound that travels through space. Made for project that was never released. Think somebody might enjoy or use it.

This is one of multiple samples i have recorded from short wave radio, and should, if i uploaded them properly be located in a pack of more radio samples. How the name is built up:sdr %yyyy-mm-dd%_%frequency% %description% (unfortunately i didn't get to put in the decimals of the frequency when i exported the samples t_t)i love you if you give me some credit, but it's not a must. Feel free to use it for whatever you'd like and by all means, link your work here so i can give it sum luuuuv.

A wind sound created with a white noise generator and a low pass filter on my console. I played with the cutoff frequency and a few eq peaks to vary the sound. Recorded at 44. 1k 16bit in stereo.

Artificial waterfall sound created using audacity. I created two brownian noise tracks and assigned one to the left channel and one to the right for a stereo effect. Using brownian noise means less high frequency noise that is harsh on the ears.

An e50 morphing terrarium (digital) applying slow sweep filter/freq modulation of 8 voices. Cwejman vco-2rm (analog), synthesis technology e340 cloud generator (digital), and two lifewire audio frequency generators (analog). Mannequins three sisters vcf.

Pattern 5 seaweed. Long. Some low frequencies. The pattern is here: https://www. Instagram. Com/p/bmluh8vajro/?taken-by=gis_sweden.

This is the sound that myself and others agree is what you hear when a loud noise makes your ears ring. Why this particular frequency? i don't know. It's just a simple generated tone--you can loop it to make it longer.

H4n recording of an automated vibrating mirror surface at an art event. The vibration responds to the proximity of objects, thus the wavering in intensity. - i use this one a lot, i'd love to know what you do with it -.

You can use this music in your videos. This sound was created with layering and frequency processing. Bpm 100key a majcheck it out: https://presetshare. Com/preset/view?id=668.

This is a synth sound taken from a friend then ran through a frequency distortion with some eq delay. To me this sound sounds like a cyber monster from another galaxy making his existence known here.

This sound was created with layering and frequency processing. You can use this music in your videos. Bpm 128key a maj.

This is the sound of someone making pee in a toilet of the roc boronat building of the upf campus, at 13:50. This sound is continius and high frequency. Recorded using zoom h4, normalized and fade-in/fade-out added with audacity.

All my sound effects are always created from scratch. Handcrafted using only the finest frequencies and waves. If you alter my sounds in any way i can not be held responsible for your health and safety.

This is a 2 bar 120 bpm bassline with one dry and one wet play thru. The effect on the wet half is a simple filter morph, raising the cut-off on a low-pass filter thru-out the loop.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

This clean flame flicker was created by vari speeding a fast cloth flap, the wav was further processed to remove some low frequency. Please look at my website sfxmix. Com and contact me directly for you dialog cleaning and sfx/ foley needs.

Some real snaps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the mid frequencies. ) great for layering on top of each other! -eg.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Bladerunner vibes, some sci-fi synth tones with a menacing threat.

Warning-bass! keep it low on preview! this is for testing low range frequencies in controlled environments, you've been kindly warned=d. 20hz to 190hz sine wave sweep. Length=13 secondsbpm=128bars=7. .

A distorted arpeggio with sharp release and long sustain used as a background layer for an a-ha moment in a film. Used a roland groovebox self-record utility straight to wav, which is pretty good, though it results in quieter high frequencies.

I tried to create a frequency response by means of eq matching, in the sound of the original tapes, and with the same sound using the optigan going to the sidechain of the eq matching, this was the most faithful i could do.

Played with shaping low-frequency noise and speeding it up, made a nice, usable cymbal. Here it is without compression/increased speed.

Low frequency predominant. Rumbling and whistling intense but slightly distant winds. Probably better as an interior p. O. V. Could be used as wind inside a cave, or observing outside winds from a sheltered space.

Scanning through frequencies on an old sterling multi-band radio receiver. Ha-5900. Medium wave, long wave, fm, marine-air, sw1, sw2.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

Sound of a ships sail being deployed quickly, or released into wind. Made to become one part for a harbour ambiance. Created by waving around the blanket of my bed. Recorded with focusrite scarlett and rode nt5. Slight reverb and some eq added (especially to enhance low frequencies).

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Turning on radio reciver and going through fm frequency of few polish radio stations (for only few seconds). Can be used for background noice or transision for audio. Also lots of white noise plus click noice of turning on/off (begining and ending).

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

I've recorded this oriental magpie robin in the philippines in a small province on the side of taal lake. Its melody is really cool ! the file was cleaned a little bit. I denoised it and got rid of some unecessary frequencies from the surrounding jungle.

Free spooky sound of a synth created off of vital into ableton added some frequency automation. Sound created by me.

Footsteps in wet coarse sand, close up, some steps in water. Little low frequency boom noise should be remove. France, 2009. Recorded with schoeps cmc6 mk41recorded on soundddevice 744twave mono, 16 bits, 48khz.

By using a frequency filter by setting its oscillations in variable arrays on the piano preset - i was able to make most of these sounds. Also vocoding and feedbacks and feed throughs were happening. Then they were altered in audacity.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

A piece of balsa wood being struck and left to resonate. Recorded for frequency analysis of the partials that resonate in the different shape/size pieces. Also for there occasional spinning gestures, as they rotate in the air after being struck.

Recorded and processed at 24bit 48khz using a rode nt1-a condenser microphone. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Mix-up of various sounds to create the ambiance of a nuclear implosion. Good for using in spacial environments. This one is the low frequency version. Both of them can be played simultaneously to variate the effect.

I don't remember making this, but i'm pretty sure all i did was run some white noise through bassboost a couple times. It works for earthquakes, distant tiger roars, and other subsonic sounds.