Eight "croaks" on a wooden frog guiro, recorded on samson q2u. All "croaks" here are made by dragging the playing stick up the frog's back in the same direction each time.
People talking in a bar while a band is getting ready to play, there's the occasional static-like noise from the instruments here and there. Recorded using a minidisk. Wave, stereo, 16-bit, 44. 1 khz.
I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.
Recorded using roli seaboard block with garageband. Please feel free to share your work in comments below :) i would love to see what you came up with <3.
Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.
Jazz solo improvisation performance on 'rhythm changes' harmony / chord progression. Recorded with zoom-h6. Instruments in the recording: trumpet, drums, double bass, electric guitar.
A long atmospheric soundtrack for your haunted experience. This was created using various percussion instruments slowed way down with other effects to create a foreboding vibe.
This sound is made with csound. I used 5 instruments on it:. - white noise that change from l channel to r channel- 2 sinewaves that make a glissando- another sinewave that does a crescendo- a wav file that is reproduced.
A recording of the Berceuse & Finalé from The Firebird (Stravinski, Igor) arranged by Merle Isaac, performed by the New Mexico All-State Concert Orchestra of 2015.
Author: И́горь Стравинский, Merle Isaac, New Mexico All-State Concert Orchestra of 2015
This file is converted to the mono wave file format from the sound file on the freesound website: sax-phrase-t5. Wav by the user: rgrocc (can be found https://freesound. Org/people/rgrocc/sounds/328636/).
A standard techno or trance bass loop introduction. I made this with the vst instrument called minimal. I forgot where it was from, just google it if you want to know i guess.
La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.
Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.
Field recording made in great marlborough street, london 2018. General street ambience with a group of hare krishna followers chanting and playing instruments. Recorded on a zoom h1. Hope you enjoy it.
Small, six note marimba, recorded wide stereo with a sony pcm-d50. The notes are, from low to high, f, g, a, c#, d#, and f. Two samples were taken per note.
This sound is a combination of organic, non-instrumental sounds manipulated with different effects. It represents a stumbling journey, thinking you have your footing, but then bringing you back to where you began, but now ending up in a new place. An unsure place.
Presences midi instrument from studio one with moog synthesizer and various plug ins like lfo, delay, reverb and others. Contains whole spectrum 20 [hz] to 20 [khz]. Recording settings:. 48[khz]24-bit.
Roar of mallan-gong - giant monster platypus. Http://kaijucombat. Com/community/index. Php?threads/mallan-gong-the-great-protector. 10222. Mixed from the bear roar and didgeridoo sound.
La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.
Quick and sweet guitar sample with heavy reverb & chorus. One chord played 4 different times without any other instruments. 86bpm. Donations - tukyo. Eth.
