4,292 Royalty-Free Audio Tracks for "Midi"

Melchior Franck: Da pacem, Domine, in diebus nostris, vierstimmiger Kanon, in Tonika- und Dominantlage kombiniert

Dominant minor ninth flat five chord on C. C E Gb Bb Db.

Dominant raised ninth flat five chord on C. C E Gb Bb D#.

Gott sei Dank durch alle Welt, Evang. Gesangbuch 12

Jean-Philippe Rameau: "Tambourin". 1724, from Pièces de clavecin avec une méthode pour la mécanique des doigts

Freu dich sehr, o meine Seele, Evang. Gesangbuch 524

Herr Christ, der einig Gotts Sohn (Evang. Gesangbuch 67)

Deinem Heiland, deinem Lehrer, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 880 (Hamburg und Osnabrück)

Wir weihn, wie du geboten; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 713

Heilig ist Gott in Herrlichkeit, Gotteslob (1975) 469; Gotteslob (2013) 199

Weil ich Jesu Schäflein bin, Evang. Gesangbuch Bayern/Thüringen 593

Ein neues Lied wir heben an, Melodiefassung des Erfurter Enchiridions (Schluss auf der Tonika)

Meinen Jesus lass ich nicht, Evangelisches Gesangbuch 402

Zapis dźwiękowy pieśni "Ach w téj studni zrzódło bije" ze zbioru "Pieśni Ludu Polskiego w Górnym Szląsku".

Johannes, auserkoren; Gotteslob (1975) Hildesheim 883; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 918

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

Gegrüßet seist du, Königin, Melodie des Erstdrucks (Johann Georg Seidenbusch, Marianischer Schnee-Berg, 1687)

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

O Gott, du frommer Gott, Evang. Gesangbuch 495 (erste Melodie)

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Ave maris stella (Gotteslob (1975) 596; Gotteslob (2013) 520)

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.

Ja, ja, ja, ach ja, 's ist traurig, aber wahr

Am Ölberg in nächtlicher Stille, Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 766

Wort des Vaters, Licht der Heiden; Gotteslob (2013) Hamburg-Hildesheim Osnabrück 804

Ich glaub an Gott in aller Not, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 855

Christ ist erstanden; Gotteslob (1975) 213; Gotteslob (2013) 318

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

Erbarme dich, erbarm dich mein, Gotteslob (2013) 268

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

O Haupt voll Blut und Wunden, ältere Form im Evangelischen Gesangbuch

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

O Traurigkeit, o Herzeleid; Gotteslob (1975) 188; Gotteslob (2013) 295

Gotteslob (1975) 620; Gotteslob (2013) 210 Das Weizenkorn muss sterben

Gottheit tief verborgen (Adoro te devote), Gotteslob (1975) 546; Gotteslob (2013) 497

Phrase split into two phrase members from Haydn's Trio no. 1 in G Major.

Wohl ist die Welt so groß und weit (Bozner Bergsteigerlied)

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

Jerusalem, du hochgebaute Stadt; Evang. Gesangbuch 150; Gotteslob (2013) 553

Christ fuhr gen Himmel; Gotteslob (1975) 228; Gotteslob (2013) 319

ii-V-I turnaround in C, in four-part harmony.

König ist der Herr (Gotteslob (1975) 275; Gotteslob Kirchenprovinz Hamburg (2013) 811)

Bekehre uns, vergib die Sünde; Gotteslob (1975) 160; Gotteslob (2013) 266

Kommt und lobet ohne End, Gotteslob (1975) Hildesheim 866

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-8ppatch name (pack): look ma no chorusnote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): noisy sqr filter velnote: e#1midi note: 29midi velocity: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.