4,292 Royalty-Free Audio Tracks for "Midi"

Pc speaker sounds, recorded by mic'ing the tower. Quite noisy, but still very funky in a beat. I used bawami to get my own midi files to play through the pc speaker in order to produce these sounds.

Ave Maria klare; Gotteslob (1975) 581; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 894

Was messing around on the piano and started fingering this line. Switched it over to bass. Combination of two basses and some plucking sound: all just sound card midi sounds. Tweaked the bass deeper with audacity. Peace out and enjoy.

A calm sound for interfacing main menus. Created by accident in fl studio whilst editing a synth midi note. Reminds me of the early 90s-00's interfacing sounds which were quite placid, melancholic and tuneful.

The inspiration for this track came from a stereo cross-fading delay patch for modular synths i found, created using caustic 3. 2 with my akai mpk mini keyboard as usb-midi controller with a bit of a tangerine dream style.

Sequential modulation in Schubert, Piano Sonata in E Major, D. 459, movement III.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

Sonne der Gerechtigkeit (Evang. Gesangbuch 262; Gotteslob (1975) 644; Gotteslob (2013) 481)

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Seht, die gute Zeit ist nah, Evangelisches Gesangbuch 18; Gotteslob (2013) München-Freising 748

Example of syllabic and melismatic text setting. MIDI doesn't convey the quality of syllables flowing. Source: "Jesus Christ is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). Created by Hyacinth (talk) 01:28, 18 July 2012 (UTC) using Sibelius 5.

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

Es ist genug, Schlusschoral der Kantate O Ewigkeit, du Donnerwort BWV 60; Melodie: Johann Rudolf Ahle

An excerpt from the traditional Latin song "Adeste Fideles". Created by Hyacinth (talk) 22:50, 1 February 2012 (UTC) using Sibelius 5. See: :Image:Adeste Fideles sheet music sample.svg

5 25 {\displaystyle {\sqrt[{25}]{5}}} = 5:11/25 = 111.45 cents. Interval used in Stockhausen's Studie II, a compound just major third (5/1) divided into 25 equal parts.

Ausschnitte aus Beethovens Klaviersonate Nr. 31, op. 110, Dritter Satz Excerpts from the third movement of Ludwig van Beethoven's Piano Sonata No. 31, Op. 110

A rhythm midi made at the keyboard then processed through the dn-e1 virtual synthesizer in magix music maker daw.

A hip hop beat made with audacity's risset drum and a recording of a midi high hat. I don't know the bmp, i arranged it in audacity. Because of this, it may be slightly off beat, which gives it more swagga.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Jesus lebt, mit ihm auch ich; Gotteslob (2013) 336

Ich ruf zu dir, Herr Jesu Christ (Evang. Gesangbuch 343)

Im Frieden dein, o Herre mein (Evang. Gesangbuch 222)

Minor major seventh chord on IV in C. Created by Hyacinth (talk) 11:19, 1 July 2011 (UTC) using Sibelius 5.

Mit Fried und Freud ich fahr dahin (Evang. Gesangbuch 519)

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Singt dem König Freudenpsalmen, Eichsfelder Melodie, Gotteslob (1975) Hildesheim 825

Gib dich zufrieden und sei stille, Evang. Gesangbuch 371

Die beste Zeit im Jahr ist mein, Evang. Gesangbuch 319

Hymn The Church's One Foundation Die Kirche steht gegründet (Evang. Gesangbuch 264; Gotteslob (2013) 482)

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

It's zynaddsubfx custom patch piped through a ir convlolution reverb played with a midi keyboard. Eqd, compressed and limited using audacity.

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase with a different piano sound. Slight echo added.

Jesus, meine Zuversicht (Evang. Gesangbuch 526); Jesus lebt, mit ihm auch ich (Evang. Gesangbuch 115)

Jesus Christus, unser Heiland, der den Tod überwand (Evang. Gesangbuch 102)

Erhalt uns, Herr, bei deinem Wort (Ev. Gsb. 193), Kirchenlied von Martin Luther (T+M); Satz: Peter Gerloff

Heilges Kreuz, sei hochverehret (Gotteslob (1975) Diözesananhang Hildesheim 823; Gotteslob (2013) Diözesananhang Kirchenprovinz Hamburg 759)

Nun freue dich, du Christenheit (Gotteslob (1975) 222); O Licht der wunderbaren Nacht (Gotteslob (2013) 334)

Heilig, heilig sei gepriesen, Gotteslob (1975) Hildesheim 802; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 720

This tune is called Winchester New in English hymnals.Zum Mahl des Lammes schreiten wir; Gotteslob (2013) 642

Ist Gott für mich, so trete gleich alles wider mich (Evang. Gesangbuch 351)

Es geht bei gedämpfter Trommel Klang (Ein Gotteshaus steht zu Köln am Rhein)

Preis dem Todesüberwinder, Gotteslob (2013) Kirchenprovinz Hamburg 778 Halleluja, lasst uns singen, Gotteslob (2013) Freiburg/Rottenburg-Stuttgart 796

Er freue dich, Himmel, erfreue dich, Erde (Gotteslob (1975) 259; Gotteslob (2013) 467)

Die helle Sonn leucht' jetzt herfür (Evang. Gesangbuch 437; Gotteslob 667)

Forest drum sound similar to the old donkey kong style sounds with some atmospheric sound that carries on after using a cement mixer and some rain. If some aspects of this sound are not to your liking there's a couple variations on my page.

The Lord's My Shepherd (Crimond tune) Der Herr, mein Hirte, Evang. Gesangbuch Bayern-Thüringen 594

Partie de pétanque un après midi en été dans le sud de la france/part of pétanque one afternoon in summer in the south of france.

The most common or standard 12-bar blues progressions variations, in C.(Benward & Saker 2003, 186). Created by Hyacinth (talk) 05:08, 14 July 2011 (UTC) using Sibelius 5.

Ich will dich lieben, meine Stärke (Gotteslob (1975) 558; Gotteslob (2013) 358)