3,255 Royalty-Free Audio Tracks for "Pitch"

Fire whoosh. Deep fat rapid fire increase. (diesel thrown on fire + pitch n eq).

Made using lmms. Some high pitched bass sound that has been automated for no absolute reason whatsoever. . . Enjoy.

Foley snare consisting of multiple layers recorded in an old factory. Resembles pitched, trap-style snare sound.

4-22B (minor sus4 chord) tetrachord on C

*Small diesis on C. Just: 3125:3072 = 29.61 cents.

Delta scale major triad on C

Also nice quality crickets to pitch shift, not much perceptual traffic in this recording, just a chorus of crickets.

Uplifter piched up sound, created with reaper, synth1 vst, wavosaur, tal-reverb3.

High pitched aggravated chicken. Chicken squawk on a farm. A couple of bowk followed by a couple of squawks. Recorded on an h4n field recorder.

Sound i made for a video as a queue for a check mark.

*Bohlen-Pierce scale: interval between C and B on C = B. Just: 25/18 = 568.72 cents. Limit: 5-limit. MIDI pitch bend: 127,53

*11 steps in 17 equal temperament on C = A♭ (Easley Blackwood's notation). Equal-tempered: 211/17:1 = 776.47 cents. MIDI pitch bend: 60,56

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

*Greater tridecimal two-third tone on C = D♭- (Ben Johnston's notation). Just: 13:12 = 138.57 cents. Limit: 13-limit. MIDI pitch bend: 44,76

*1 step in 15 equal temperament on C = C↑ (Easley Blackwood's notation). Equal-tempered: 21/15:1 = 80 cents. MIDI pitch bend: 76,57

*Forty-ninth harmonic on C = A♭+. Just: 49:32 = 737.65 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 7-limit. MIDI pitch bend: 6,76

*Nine quarter tones/supermajor third on C = E/F. Equal-tempered: 29/24=3/8:1 = 450 cents. MIDI pitch bend: 0,80 Preceded by:File:Seven quarter tones on C.mid

*19 steps in 21-et on C = B♭↑ (Easley Blackwood's notation). Equal-tempered: 219/21:1 = 1085.71 cents. MIDI pitch bend: 54,59

*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87

*11 steps in 16-et on C = G♯ (Easley Blackwood's notation). Equal-tempered: 211/16:1 = 825 cents. MIDI pitch bend: 76,57

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

*Seventy-seventh harmonic on C = E↑♭ (Ben Johnston's notation). Just: 77/64 = 320.14 cents. Limit: 11-limit. MIDI pitch bend: 57,70

*13 steps in 17 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 213/17:1 = 917.65 cents. MIDI pitch bend: 83,69

Many short percussive hits from a synth at different pitches and filter cutoffs.

Created using rebirt-rb338's pitch black edition mod.

Huge bass vibration - good for pitch shifting, satisfying click at the start. No decay.

Another one of those sounds. It's definitely glitchy all right. Call him everything isn't it? enjoy.

Just a quick little background noise i made. Includes skittering, and high pitched chirping.

Made by vocoding a heavily processed field recording into a low fm sound with unstable pitch.

Reminds me of some old west coast bass with the high pitch drone in it.

3-9A trichord on C. Sus2 chord.

3-12 trichord on C. Augmented chord.

Attention: sounded as a warning that troops are about to be called to attention.

Hi-pitched electronic snare processed with fast delay and flanger.

A synthesized siren sound approaches and departs with doppler (pitch shifting) effect. No atmos. No l/r panning.

In audacity i changed the pitch by 20% to make the wilhelm sound female.

*12 steps in 15 equal temperament on C = A♮ (Easley Blackwood's notation). Equal-tempered: 212/15=8/10=4/5:1 = 960 cents. MIDI pitch bend: 26,83 on M6 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~154,50 on Bb

This is some small patterns i made and mixed basic filters time pitch all accross and finally put some bells with a very very short programmed arpeggiator. You will not hear the arpeggiator over all the other effects ;).

A solo violin sample from edirol orchestral was used a base, using pitch bend and then layering against pitch shifted copies of the original. Then lots and lots and lots of reverb and maybe other effects. I spent way too long on this for no certain outcome but actually it was perfect for the radio drama i was theoretically producing it for.

This sound was inspired by this youtube tutorial: https://www. Youtube. Com/watch?v=ke5vztfcykc on converting formula controller output into audio but instead of pitching the sound up in audio i pitched it up in real time using two instances of gross beat. It sounds like a broken synth to me.

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

*Thirty-ninth harmonic on C = E♭. Just: 39/32 = 342.48 cents. Equal-tempered: 23/12:1 = 300 cents. Limit: 13-limit. MIDI pitch bend: 76,77

A short clip of a wooden door opening, first a high pitch creak, then a low pitch as it's movement slows. Recorded at close proximity with a sennheiser 416 microphone, to a sound devices 552, in a residential, fully attached house, with minimal noise and background but natural ambience and reflection, from a large (bed)room.

*Bohlen-Pierce scale: interval between C and E, septimal major third on C = E. Just: 9/7 = 435.08 cents. Limit: 7-limit. MIDI pitch bend: 29,75

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

*Septimal minor second on C = D♯- (Ben Johnston's notation). Just: 28/27 = 62.96 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 7-limit. MIDI pitch bend: 19,84 on PU