Pattern loop create with drumbit https://drumbit. App/ and custom pattern in microsampler. Edit with vst effect in audacity. Precision bpm cut and ready to use. . Happy work. . .
Various slap sounds recorded in a both with an neumann u87i. There is a metallic resonance from one of the music stands. The slaps hit various body parts (face, neck, belly). Feel free to use however you like.
I was trying to imitate the noise that usually happens when someone delivers a comedic punchline, you know, the high hat sound. I used a cheap desktop drumset.
Got this amazing pop sound by opening a soda bottle too fast. For me it sounds like someone got just slapped in his/her face :). Enjoy!. Crediting is not required, but i'd be happy to hear where this finds its place.
Some swooshes/ swishes made of many materials. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
Tried to add sub harmonic content to a snare, so a lot of the punch in this 200hz snare comes from harmonics like 50hz 100 hz etc. Execution prolly wasnt too great but i like how it came out.
Snare tuned e. I've created it with rob papen punch software synthesizer & saturated in tapey style. It's not very fat 'cause the fundamental tone is above 300hz & it's "low-cutted" by fabfilter eq. .
A small loop i made using fl and gabber master vst, there are 2 loops in one. One includes ch and oh and the other one just the kick. Show me for what you used it please :'3 thanks.
This is a boomy break beat i made at 102bpm. It utilises a variety of individual free percussive hits, sequenced in free tracker program, jeskola buzz.
From my personal library, a packet of kick samples processed with tube input and triton extreme filters. All samples are normalized to 0 db and ready to use.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
Modified version of 'arrow whoosh 2. R" by saturdaysoundguy:https://freesound. Org/people/saturdaysoundguy/sounds/391444/. Changed pitch using audacity. This sound was used in the free game, multiverse heroes:https://gamejolt. Com/games/multiverse_heroes/312565.
Recorded with sennheiser me67 to zoom h4n as a mono track at 24bit/48k. Mic inside wrapped up news paper tapped with a pencil. I read about it and found when layered with punches and other hits, it gives the hit a nice little kick in the sub-woofer.
I've been beating a carpet. Why not capture the whole thing?. ** this recording is longer, with less energy and much more air between the hits **. Captured with zoom h2.
The sound of a bed being hit, that's been edited to have more punch and space. Recorded with the zoom h4n recording device. Feel free to use this however you wish.
I was inspired by urbexshauny's dark atmos, (http://freesound. Org/people/urbexshauny/sounds/367611/) so i threw the excellent "punch" drum synth at it, with a bit of indigo2 virus and a stack of compression everywhere. Bpm is at 90, the loop is from about 5. 10 thru the end.
O som representa uma pessoa socando outra, e foi gravado com um microfone condensador akg c414gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.
A simple kick/bass drum sound with a deep, sub-bass hum and a short infrasonic punch right at the onset (around 18hz), inspired by, and somewhat reminiscent of, the sounds of hip-hop/trap music. Made using audacity.
Sound of block in boxing in several different dynamics. Use it however you like and show me results of your job i will glad to show it in my social media. Thanks a lot and have fun!.
This is just a noise taken off my home phone, it is the standard noise that plays after punching in a number. I used a direct feed for this one, although there really was not much different. This is the only sound from a direct feed that wouldn't come in so terribly soft.
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
A punchy break produced on my retro roland 808 drum machine, with added sub bass from user, ledit renart downloaded here: http://www. Freesound. Org/people/ledit%20renart/sounds/159977/.
De-noised remix of. . . Https://freesound. Org/people/strangehorizon/sounds/669314/. If it's now too beefy, apply a high-pass filter. Vst plugins used on this remix include. . . Acon digital denoise (version 1. 81, which is old).
Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.
I've got punched to get the priest mic'ed up in time. Recorded in the marylebone mosque, london using a wisycom wireless system, sanken cos11 mic, sound devices 633 recorder.
Several sounds combined to approximate the sound of someone getting smacked with the butt of a pistol. Whip crack with a metallic clank and a wet crack as it hits bone/flesh. Simulated by layering a whip crack, a punch, a metal clatter, and a squish made from stirring pasta in.
I downloaded the original break from here: http://www. Freesound. Org/people/patchen/sounds/20176/# and split the break into individual hits then reworked it in sony acid with additional free sub kick booms rendered at 102 bpm. Enjoy :).
Many swings with a bamboo fishing rod. Please, consider listening my music on bandcamp:. Https://mrthenoronha. Bandcamp. Com/album/mstech-educational-projects-soundtrack.
Sounds like a cartoon getting hit on the head with a frying pan to me. But it can be whatever you want it to be! would love to know what people use it for :).
Time to give something back here. Hope it's useful. Mix out of a soft synth kick punched up and up, by adding gated attack kick. Compressed and limited, maximal appereance of the kick by giving enough space for other instruments. Also can handle a subbass (+/- sidechaincomp) easily , because of the depth.
