Composed on the sigil scale c, c♯, e, f, g♯, a at 130 bpm. Wav. The sigil scale has 4 transpositions:. 1. C, c♯, e, f, g♯, a2. C♯, d, f, f♯, a, a♯3. D, d♯, f♯, g, a♯, b4. D♯, e, g, g♯, b, c. Left delay (phased) 25 ms.
Complexe sonore: the octatonic scale may be arranged as four major chords or seventh chords. Created by Hyacinth (talk) 13:49, 13 June 2010 using Sibelius 5.
This is one of 17 recordings made with the same patch. Same tempo, same scale, different outcome. I made this recordings for disquiet junto project 0377: algorithms assemble.
20 approximate over tones of a 440hz sounded by fading in and out them one by one; they ovelap. At first it resembles overtone singing, but the a, fundamental tone fades out very quickly. May sound annoying.
I've bought this bamboo flute back in a days at the street market in kiev for some cents. It doesn't have certain scale or even clean pitches so has more decorative function in my room, still sounds interesting.
Output sound obtained after frequency scaling and stretching along with time scaling of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) using transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,0. 6, 1. 5, 1. 2].
Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:-ifrequency scaling factors= [0,1,1,0. 6],ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
Frequency scaled output sound obtained by analysis and synthesis of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1,1,1],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
Recently we purchased a scale from ikea, when we finally got around to using it we realized that it must be off, as i do not weigh 240 lbs. As we did not have a receipt, or the desire to drive 2 hours to return a $10 scale the only course of action left to me was to take the damn thing apart and record its insides. (what else?). I recorded and edited together around 7 and a half minutes of various configurations and performances of me making some sort of repetitive, engine-like sound. I can foresee myself using these sounds for an old-timey engine or car. Recorded with a rode ntg-3 at 96/24.
Output sound obtained after frequency scaling and stretching of sound speech-female_hpsmodel. Wav (https://www. Freesound. Org/people/anjds/sounds/377067/) with transformations model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters considered are:- i) frequency scaling factors = [0,1. 5,1,0. 6], ii) frequency stretching factors = [0,1. 5,1,1,2,1. 5],iii) timbre preservation = 1, iv) time scaling factors = [0, 0 ,1 ,1].
A dream-like sound effect created from playing a whole tone scale with a synthesizer in zynaddsubfx. This is a downscale version of the original, which can be found here: https://freesound. Org/s/332409/. Requested by mariarugh: http://freesound. Org/people/mariarugh/.
Sound file of the natural A minor scale Digital recording, made with an acoustic piano and Audacity software by Opus33. This music is in the public domain. The recording is not copyrighted, and it is hereby released by Opus33 into the public domain. The following tag, though it is not quite accurate, is included in order to authorize this file according to the Wikipedia rules:
Electronic minute no 31 - scales with fnattyep down to cscales made with envelope generatorsonce in a while they get fnatt5 envelope generators in use. Don't miss it>>> there is a bonus sound at the end!!!basically the same patch! but on acid :-). Evaluation of patch/soundone cycle is - not that longonly short sounds - yep, good in this caseamplitude variation - well not muchpitch variation - controlled by envelopetimbre variation - nomusical value - maybe, but not the fnatt partentertaining - ambient bleeps ad bloops?.
Chord from just Bohlen–Pierce scale: C-G-A Title refers to harmonics (fundamental=1:3:9:etc.)., tuned to harmonics 3, 5, and 7. "BP" above the clefs indicates Bohlen–Pierce notation.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 4 different instruments.
Do major scale in three system. Firstly one by one, then pythagoras + just intonation (5 limit), pythagoras + 12tet, just intonation + 12tet, and at the end pythagoras + just intonation + 12tet alltogether. Reference notes are la4 and their frequencies are 440hz each. Sinus waveform. Prepared using csound.
