3,807 Royalty-Free Audio Tracks for "Song"

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3d diy binaural dummy head recording. Intended for headphone listening. Assorted birds singing away in my garden at sunset. Best 'bee/blackbird/crow action' around -02:40 -> -01:30. Best on headphones, but works quite well on stereo speakers. Roland quad capture to pc.
Author: Dwareing
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02:01
Usa california - dogs barking and birds singing in the red wood forest, close to san francisco. Road in the far background. Sound recorded by a ms setup sennheiser mkh50+mkh50sound devices 302 mixer + tascam recorderms is encoded in stereo left-rightrecorded in 2008. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.
Author: Felix
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01:05
Recording of a courtyard garden fountain in the abbey gardens in bury st edmunds, suffolk. Recorded early on a sunday morning to minimalism unwanted sounds of people!. Recorded using a directional shotgun microphone into a zoom h4 recorder. Wind sock and hpf have been used to reduce rumble. This particular recording was taken a bit further back from the fountains to try and achieve a more ambient sound, capturing bird song, light winds, distant traffic and park keeper activity.
Author: Nickmaysoundmusic
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Breathing industrial game: different breathing with some distortion. Sampled into ableton using distortions like trash2, compression using psp compressor2. Recorded using a sm58 mic into ua-25ex. Crazy sounds is what i do. Check out my songs on soundcloud. Com/spankmyfilth :d. .
Author: Spankmyfilth
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Broken transmission pads: c2 note, random gabbled modulated sounds using absynth 5. Sampled into ableton with a bit of effects, compression using psp compressor2 and psp warmer. Vocals sounds to try to make it sound like a garbled transmission or something alien. Crazy sounds is what i do. Check out my songs on soundcloud. Com/spankmyfilth :d.
Author: Spankmyfilth
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03:34
Kitten on the Keys (1921), written and performed by Zez Confrey, for whom it was his first big hit. This recording is Edison Diamond Disc 50898-L. Restoration notes: Noise removal, blending original with noise removed version, manual click removal. Українська: «Кошеня на ключах», написане Зеpом Конфрі в 1921 році і виконане ним у 1922 році.
Author: Zez Confrey (1895-1971); file restored by Adam Cuerden
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02:24
Song: "Pordioseros".- Author: Guillermo Barbieri (1894-1935).- Interpreter: Singer: Carlos Gardel; guitars: José María Aguilar, Guillermo Barbieri (1rst guitar) and Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930. Tema: "Pordioseros".- Autor: Guillermo Barbieri (1894-1935).- Interprete: Cantante: Carlos Gardel; guitarras: José María Aguilar, Guillermo Barbieri (1ra guitarra) y Angel Domingo Riverol.- Record: Odeon, 18823 5814, Buenos Aires, 28/JUN/1930.
Author: Guillermo Barbieri
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01:34
This audio contains a guitar performance of lily was here song. It was recorded using a fender player telecaster guitar and yamaha audio gram 6 audio interface as recording set up. Tempo: 108. The setup to record this performance and the other ones in the same dataset (five guitar dataset) is explained here: the setup used a yamaha audio gram 6 audio interface and reaper 10 to record guitar from direct input (di), a huawei p30 lite model mar-lx1a to record guitar from a mobile and a dell inspiron 13 5000 to record guitar from a computer. To record acoustic guitar in di, i used a fishman neo d single coin on larrivée and seymour duncan seth love on the eastman connected to a nap-5 stageman floor acoustic preamp going then to the audio interface. The computer and mobile were positioned approximately 3. 8 cm from the player position (measured from the twelve fret of the guitars). The electric guitars were plugged into a dv mark little jazz guitar amp which has a di output, that was connected to the audio interface. The amp was located at a distance of 114. 5 cm from the mobile and the computer.
Author: Eduardverges
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00:22
This is a bassline of dnb, got 16 bars on 180 bpm or 8 bars on 90 bpm. I did it with a synth using abletondon't forget there is the possibility of you having to amplifier and compress for give more punch. Feel free for use it!. A tip from me to you is cut the bassline in pieces, explore all the locations where you can use for start a song. . . Use short parts of the bassline and use stretch and pitch techniques. Just explore and imagines freaky ways of change small samplers to a big and nice bassline! :d.
Author: Yetaldom
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00:31
Reed warbler sings in the windy reeds. Recorded with sony pcm d100 + sennheiser me 66. This was recorded on a windy day in may. If you want to support me, you are welcome to have a look here: https://richardatmo. Bandcamp. Com/. You can play albums there and also buy single sounds from me for small money. It's a way to support me. Or just have fun and chill with nature sounds. Have a nice day.
Author: Garuda
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04:56
Space tourists watching rings of saturn. Thanks to satellites that have been close to saturn, we now have pictures that show clearly how beautiful the rings are. It is so beautiful that in a few years surely space tourists will go there. In this song i describe the atmosphere there is at that moment. They look at the combination of complexity and simplicity of the rings. Everyone will be very impressed with all the colors that are caused by the refraction of sunlight by the ice present. There are the impressive moons of saturn. The one with more mysteries than the other. At that time maybe life has been found on or in those moons.
Author: Huggingbear
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00:53
Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).
Author: Jimmy Cox
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02:60
Song: "Ay, ay, ay (Reminiscencias cuyanas)".- Author: Osmán Pérez Freire (1880-1930).- Interpreter: Carlos Gardel & José Razzano.- Rec: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tempo: vidalita Tema: "Ay, ay, ay (Reminiscencias cuyanas)".- Autor: Osmán Pérez Freire (1880-1930).- Interprete: Carlos Gardel & José Razzano.- Grab: RCA, Matriz 55, 18016, Buenos Aires, 1919. Tiempo de vidalita.
Author: Osmán Pérez Freire (1880-1930)
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03:40
St. Louis Blues March performed by the Shades of Blue jazz ensemble of the United States Air Force Band of Mid-America. Track 5 from Heroes Lost And Fallen (1997). Recorded January 28-31, 1997 at the Scottish Rite Cathedral, St. Louis, Missouri. Major Sam Pohl, conducting.[1][2][3][4][5]
Author: Composition: W. C. Handy; Transcription: Cecil T. Pomeroy; Performance: United States Air Force Band of Mid-America, Shades of Blue; Recording: United States Air Force
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03:31
Alam Ara (Hindi: à¤à¤²à¤® à¤à¤°à¤¾, Urdu: عاÙ٠آراء , translation: The Light of the World) is a 1931 film directed by Ardeshir Irani. It was the first Indian sound film.[1][2] Irani recognised the importance that sound would have on the cinema, and raced to complete Alam Ara before several contemporary sound films. Alam Ara debuted at the Majestic Cinema in Mumbai (then Bombay) on 14 March 1931. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds.
Author: Imperial Movietone
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02:40
Song: "Mi Buenos Aires querido".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32189 Bs83559, 30/JUL/1934. Tema: "Mi Buenos Aires querido".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32189 Bs83559, 30/JUL/1934.
Author: Carlos Gardel & Alfredo Le Pera
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00:07
Alien alarm: 110 bpm c2 note, strange sounding alarm. Absynth 5 sampled into ableton, compression using psp compressor2 and psp warmer. Random presets, and very little other effects used, mostly so this sample can be re-sampled. Crazy sounds. Check out my songs on soundcloud :d.
Author: Spankmyfilth
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02:11
Handmade!. Taken from my biker thriller audio drama: throttlecheck that story out here:https://youtu. Be/7nvvursoqxq. If you like my work, check out my website as well:www. Welvynzporter. Com. Never stop pluggin', am i right? haha. Attribution is never required but always very appreciated. :). I hope you this will be useful for you. Cheers~.
Author: Welvynzportersamples
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Bird song of the Hermit Thrush. The Hermit Thrush is the state bird of Virginia, and has often been attributed to poetry.
Author: NPS
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03:45
Recorded at the side of a lake on easter 2023. You can hear the wind rustling through the trees. Some background noises are audible, including passersby and what sounds like a camera shutter. Birds heard: blue jay, red-winged blackbird, song sparrow, northern flicker, red-bellied woodpecker, northern cardinal, american robin, blue-grey gnatcatcher. ----primo em172 mic capsules -> zoom xyh-5 x/y mic attachment line in -> zoom f1 audio recorder.
Author: Hargissssound
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02:55
Song: "Claveles mendocinos".- Author: Alfredo Pelaia (1888-1942).- Interpreter: Singers: Carlos Gardel & José Razzano; guitars: José María Aguilar & Guillermo Barbieri (leader guitar).- Record: Odeón 18801 5155/1, Buenos Aires, 31/DEC/1929. Tema: "Claveles mendocinos".- Autor: Alfredo Pelaia (1888-1942).- Interprete: Cantores: Dúo Carlos Gardel & José Razzano; guitarras: José María Aguilar & Guillermo Barbieri (1ra guitarra).- Grab.: Odeón 18801 5155/1, Buenos Aires, 31/DIC/1929.
Author: Alfredo Pelaia (1888-1942)
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06:16
Another free instrumental by anonymous producer mesostic. At a slow tempo, and with dissonant synthy chords, this is the perfect track for a hardline rapper to spit out some lines to. Or maybe it would make a great quirky soundtrack to your next homespun film project. The song was written in Ableton Live using Ableton core instruments and the U-He Diva soft synth on the lead line. Mesostic has also shared all stems here on Wikimedia for your remixing, extending and sampling delight.
Author: Mesostic
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01:34
La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.
Author: Untitled
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01:00
This is a narrated sound-walk near my house. I will not add a geotag for the very reason of privacy. This is for an assignment for the music appreciation course of loyola high school. I heard music of justin bieber in a house nearby. I do not know what song title it was. I heard birds cawing from time to time in the skies above me. I also heard cars passing by, creating a sound called doppler effect. I can also hear the footsteps that i was making.
Author: Smnndl
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00:03
Blip random: c2 note, random short blip sounds from synplant. Sampled into ableton as atonal as possible with a bit of effects, compression using psp compressor2 and psp warmer. Random seeds in synplant, and very little other effects used. Crazy sounds is what i do. Check out my songs on soundcloud :d.
Author: Spankmyfilth
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01:42
Machine composed electronic music. The result made me think of a pedestrian crossing. I desired to mix my sound with a field recording of a swedish crossing. A recording madeby dobroide. Thanks. Stockholm » 20100806. Stockholm. Traffic. Light. Flachttps://freesound. Org/people/dobroide/sounds/102873/machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.
Author: Gis Sweden
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03:05
Song: "La morocha" (tango).- Author: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interpreter: Singer: Ada Falcón, Orq: Francisco Canaro.- Rec. Odeon 165980B, Buenos Aires, 1929 Tema: "La morocha" (tango).- Autor: Angel Villoldo (1861-1919) - Enrique Saborido (1877-1941).- Interprete: Cantante: Ada Falcón, Orq: Francisco Canaro.- Grab. Odeon 165980B, Buenos Aires, 1929
Author: Untitled
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02:58
Serranita, huaynito grabado por el dúo arequipeño de quenas Escobedo y Núñez (Mariano Escobedo y Domingo Núñez) el 22 de septiembre de 1913, en Lima, para la disquera Victor (Disco Victor No. 65826-A). Emilio Sirvas los acompañó con la guitarra. Cabe mencionar que en los registros de la disquera Victor y en sus catálogos impresos de la época, dicho tema aparece como "Serranito".
Author: Unknown authorUnknown author
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01:34
La Borinqueña, the regional anthem of Puerto Rico, performed instrumentally by the United States Navy Band circa the mid-2000s. This is the officially-adopted version currently used today; it is an early 20th century arrangement done by Luis Miranda of the mid-19th century original. It notably differs from the latter in that it is played at a slower tempo.El himno regional de Puerto Rico.
Author: Untitled
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02:43
Song: "Sus ojos se cerraron".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor BVE-89225/1, New York, 19/MAR/1935. Tema: "Sus ojos se cerraron".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantor: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor BVE-89225/1, 19/MAR/1935.
Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935)
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03:28
Song: "Me dejaste" (El poncho del olvido).- Author: Music: Osman Pérez Freire (1878-1930) & Lyrics: Andrés Cepeda (1879-1910).- Interpreter: Singer: Carlos Gardel.- Record: Columbia, T594, Side B, Buenos Aires, 1913. Tema: "Me dejaste" (El poncho del olvido).- Autor: Musica: Osman Pérez Freire (1878-1930) & Letra: Andrés Cepeda (1879-1910).- Interprete: Cantor: Carlos Gardel.- Grab.: Columbia, T594,Lado B, Buenos Aires, 1913.
Author: Osman Pérez Freire (1878-1930) & Andrés Cepeda (1879-1910)
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00:13
An excerpt from the song “Au clair de la lune”, originally recorded as a phonautogram on paper. As of May 2009, this is believed to be the oldest recognizable recording of a human voice in existence. According to the remasterers, the lyrics sung are the first lines of the second stanza "Au clair de la lune, Pierrot répondit" (Under the moonlight, Pierrot replied).[1] It has also been reported that the recording contains the beginning of the song, "Au clair de la lune, mon ami Pierrot..." (Under the moonlight, my friend Pierrot...).[2] This is an edited version: speed and pitch have been corrected to reflect Édouard-Léon's voice, noise was removed. Ausschnitt aus dem Lied “Au clair de la lune”, ursprünglich als Phonautogramm auf Papier aufgezeichnet. Per 2008 gilt diese Aufzeichnung als die älteste bekannte Tonaufnahme. Die gesungenen Worte lauten: "Au clair de la lune, Pierrot répondit" (Bei des Mondes Scheine, antwortet Pierrot), oder "Au clair de la lune, mon ami Pierrot..." (Bei des Mondes Scheine, mein Freund Pierrot...). Un extrait de la chanson “Au clair de la lune”, telle qu'enregistrée sur papier sous forme de phonautogramme. À la date de mai 2009, on le considère comme le plus ancien enregistrement d'une voix humaine reconnaissable. D'après les restaurateurs, les paroles correspondent aux premières lignes de la seconde strophe : « Au clair de la lune, Pierrot répondit ».[3] D'autres estiment qu'il s'agit plutôt du début de la chanson : « Au clair de la lune, mon ami Pierrot ».[4] Cette version a été éditée de manière à mieux refléter la voix de Scott de Martinville : la vitesse a été réduite, la tonalité a été baissée et le bruit a été réduit
Author: Untitled
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02:06
Song: "Desdichas" (tango). Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interpreter: Singer: Carlos Gardel; Guitars: J. Ricardo y G. Barbieri.- Rec. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923 Tema: "Desdichas" (tango). Autor: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932).- Interprete: Cantor: Carlos Gardel; Guitarras: J. Ricardo y G. Barbieri.- Grab. Odeon (Disco Nacional) 18087 B, Buenos Aires, 1923
Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932)
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03:54
I'm Just Wild About Harry song (instrumental version). 78 RPM vertical cut photograph. Noise removed. Some equalization and compression to adjust for "tinny" sound. Some mild adjustments to even out the volume. Українська: «Я просто божеволіє від Гаррі», написана Юбі Блейком і на слова Нобла Сіссла, виконана в 1922 році.
Author: Eubie Blake, composer (with Sissle, Noble, lyrics), performance conducted by Vincent Lopez, published by Edison
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03:24
Song: "El día que me quieras".- Author: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interpreter: Singer: Carlos Gardel; Orq: Terig Tucci.- Record: Victor 32458 Bve89229, 19/MAR/1935. Tema: "El día que me quieras".- Autor: Carlos Gardel (1890-1935) & Alfredo Le Pera (1900-1935).- Interprete: Cantante: Carlos Gardel; Orq: Terig Tucci.- Grab.: Victor 32458 Bve89229, 19/MAR/1935.
Author: Carlos Gardel & Alfredo Le Pera
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00:21
Let me just say, this is way more popular than i anticipated it being. I'd like to thank everyone contacting me to use it in their films and what not and also apologize to them, since my freesound account was connected to an email that i no longer use. That's been fixed now. For anyone in the future, it's totally a-ok to use this as long as you tell me as much and maybe credit me however you want (my name's jillian bean). Thanks for the positive feedback!.
Author: Beano
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02:26
Title: After the ball - Vocal solo with piano. Performer:George Gaskin Composer: Harris, Chas. K. (Charles Kassell), 1864-1930. Year of Release: ca. 1893 Original cylinder in collection of John Levin. Brown wax cylinder. Cylinder recorded by United States Phonograph Company. Catalog number unknown. Titel: After the ball - Vocal solo with piano. Interpret:George Gaskin Komponist: Harris, Chas. K. (Charles Kassell), 1864-1930. Veröffentlichung: ca. 1893 Original-Tonträger brauner Wachs-Zylinder, aufgenommen von der United States Phonograph Company. Katalog-Nummer unbekannt. Original-Zylinder: Sammlung John Levin.
Author: own work
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04:15
Alexander's Ragtime Band, a song by Irving Berlin, performed by Billy Murray in 1911, recorded on an Edison Amberol cylinder. Alexander's Ragtime Band – piosenka autorstwa Irvinga Berlina w wykonaniu Billy'ego Murraya z 1911 roku. Македонски: Александровиот регтајм-состав — песна на Ирвинг Берлин, во изведба на Били Мари снимена во 1911 г. Alexander's Ragtime Band ― песня Ирвинга Берлина, записанная в исполнении Билли Мюррея в 1911 году.
Author: Irving Berlin
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02:52
Come Down Ma Evenin' Star from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.
Author: John Stromberg (1853–1902), Lillian Russell (1860-1922)
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00:07
Male voice, manipulated in pitch and speed, saying "here's a poem i wrote for animal lovers, it's called awwwwwww" the "awwwwwww" sound increases in pitch and speed, and just sounds kind of silly. I tried my best to fade in/fade out the clip and eliminate for background noise. Recorded on iphone 6splus microphone. Edited with audacity. #monopreme #podcast23 free forever and a day. No copyright, just the creative commons 0 guidelines. Enjoy. Or don't. Check out other cool stuff while you're here, using my poem to make an epic ballad or techno song, or a cat video. Awwwwwww!.
Author: Podcast
00:00
02:60
Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.
Author: Arturo de Nava (1876-1932)
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11:04
Recording made by juliana romero and felipe moreno on may 11, 2020 at 6:00 am in the village pueblo viejo upper part in the municipality of facatativá, colombia. This zone has a corridor of vegetation in the process of succession typical of dry areas. Constant bird songs in this area undergoing ecological restoration with the dominance of great thrush, rufous-collared sparrow, black-tailed trainbearer, black flowerpiercer and the sound of several individuals of the endemic specie of the silvery-throated highland spinetail stands out among adults and juveniles, among others.
Author: Sergio Collazos
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02:26
Recorded at the side of a lake on easter 2023. You can hear the wind rustling through the trees. Some background noises are audible, including passersby and what sounds like a camera shutter. Birds heard: blue jay, red-winged blackbird, song sparrow, northern flicker, red-bellied woodpecker, northern cardinal, american robin, blue-grey gnatcatcher. ----primo em172 mic capsules -> zoom xyh-5 x/y mic attachment line in -> zoom f1 audio recorder -> low-cut filter.
Author: Hargissssound
00:00
02:26
Listening to nightingales & other sleepy birds in the evening. . . You can hear my baby rook taki squak at the very end, cause he was getting restless & wanted to go home to sleep for the night. You can hear nightingales, warblers and thrushes all around. This was recorded using my crappy, old mp3 player in the countryside of henfield, near brighton, england, on the 31st of may 2010. I often play it & other recordings i made around there for my birds in the evening, as a kind of nature lullaby. ^-^.
Author: Vonora
00:00
04:17
Władysław Tarnowski ps. Ernest Buława „Ich sank verweint in sanften Schlummer“ – to piąta z pięciu pieśni zawartych w zbiorze Cypressen, prócz nut także tekst do tej akurat pieśni napisał Władysław Tarnowski, ale zbiór pieśni odwołuje się do tomiku poezji pt. "Cypressen" Ludwiga Foglára, a całą muzykę skomponował Władysław Tarnowski ps. Ernest Buława. Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 10:06, 13 February 2016 (UTC))
Author: Władysław Tarnowski (nuty i tekst), Marcin Tarnowski (wykonanie)
00:00
02:52
Song: "Flor de fango" (tango). Author: Lyrics: Pascual Contursi (1898-1932) Music: Augusto Gentile (1891-1932), Interpretr: Carlos Gardel; Guitar: José Ricardo; Rec: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918 Tema: "Flor de fango" (tango). Autor: Letra: Pascual Contursi (1898-1932) Musica: Augusto Gentile (1891-1932), Interprete: Carlos Gardel; Guitarra: José Ricardo; Grab: Odeon 18012 B, Buenos Aires, Buenos Aires, 1918
Author: Pascual Contursi (1898-1932) - Augusto Gentile (1891-1932)
00:00
01:49
Song: "Una rosa para mi rosa".- Author: Saúl Salinas (1882-1921).- Interpreter: Singer: Carlos Gardel; Guitars Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Record: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933. Tema: "Una rosa para mi rosa".- Autor: Saúl Salinas (1882-1921).- Interprete: Cantante: Carlos Gardel; Guitarras: Guillermo Barbieri, Horacio Pettorossi, Domingo Riverol & Julio Vivas.- Grab.: Odeon, 18901, matrix E7552-1, Buenos Aires, 1933.
Author: Saúl Salinas (1882-1921)
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03:05
Esta grabación del Himno Nacional del Perú, hecha por la Banda del Primer Regimiento de Artillería de Montaña para el sello Columbia en 1911, fue la que dio inicio a la serie "P" de Discos Peruanos, llevando la numeración P1 de los Discos Columbia. Al reverso del disco P1, con el Himno Nacional del Perú, se grabó Ataque de Uchumayo por la Banda del Regimiento de Gendarmes de Infantería.
Author: José de la Torre Ugarte y José Bernardo Alcedo
00:00
02:60
El ataque de Uchumayo es una marcha militar peruana compuesta por el músico peruano Manuel Bañón hacia 1835. Originalmente se llamaba “La Salaverrina”, en homenaje a Felipe Santiago Salaverry, jefe del gobierno peruano de entonces, pero luego adoptó su nombre actual, en conmemoración a la victoria peruana de Uchumayo sobre los invasores bolivianos. Es una de las más marchas militares más antiguas de América, que aún se sigue tocando.
Author: Manuel Bañón
00:00
02:38
A record of WNOX's Tennessee Barn Dance airing every saturday night. Emcee was Lowell Blanchard. The first tune to hear on this recording is the theme song "Gonna Raise A Ruckus Tonight", later Larry Mathis plays the "Dixie Breakdown" with the barn dance band. Ein Ausschnitt aus dem WNOX Tennessee Barn Dance, der jedeb Samstanabend gesendet wurde. Moderator war Lowell Blanchard. Der erste Titel in dieser Aufnahme ist "Gonna Raise A Ruckus Tonight". Später spielt Larry Mathis zusammen mit der Hausband den "Dixie Breakdown".
Author: Unknown authorUnknown author
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