2,393 Royalty-Free Audio Tracks for "Tracks"

Anyone else working with chuck???i'm new to chuck. Fun. Today i'm working with- random start position on samples- random volume- let chance start play one of 3 samples (the drums in this example)- some sort of track-structure script. . .

Samson et Dalila, Op. 47: "Danse Bacchanale" performed by the Concert Band of the United States Air Force Band. Track 7 from French Impressions (2000).[1][2]

A 12-minute track of gentle ocean waves and a light breeze. Includes bits of "xerokambos beach 01-sep-11 60m 24bit. Flac" by subtyrant as well as "marée basse / low tide sables d'olonne france" by indieground, both of which are cc0 licensed. Download, share and enjoy!.

Product of Fear performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 10 from Blue Shadows (2010).

Medium rain recorded from my apartment in barcelona city with a tascam dr 40. Rain falling in rooftops, metal. Background city rumble. This is the first track i upload here. Hope it turns out to be helpful to some of you. Any suggestions will be well received.

Core 'ngrato performed by the Singing Sergeants of the United States Air Force Band. Track 5 from The Singing Sergeants 50th Anniversary (1945-1995) (1995). Major Mark R. Peterson.[1][2]

A demonic driving pad made from a twisted violin, unites with alarms and taiko drums to a climax. A classic trailer track, perfect for our current crisis. Composer: sondre drakensson.

Scotland the Brave performed by the Pipe Band of the United States Air Force Reserve Band. Track 14 from "...For Heroes Proved" (1995).[1]

Pouring water into the bath by one water tap. Open water tap, pouring water, close water tap, residual water leaving the bath, water drops. Mic: pro audio vt-7adc: m-audio fast track ultra 8r.

Like Seamus performed by the Shades of Blue Jazz Ensemble of the United States Air Force Band of Mid-America. Track 3 from Blue Shadows (2010).

Here are the audience bits from a jazz concert i recorded using an olympus field recorder. The auditorium was intimate and acoustically excellent. In the first section if applause you will here a mild rumble. There was a standing ovation, and that's what that rumble is. I also included some quiet bits of the band on stage getting ready for a song, and some subtle crowd walla as well. There is plenty to play with if you need to loop. You may here some bits of the mc or sax player in the background near the end, but nothing you can't work around if you need to. Check my other up-loads for an extended walla track from this same show. Hope this track works out for you!.

Are you trying to tell a dark tale with your track? street pop tunez delivers a bass sound for your library that will compliment your desires. Works in all daws.

Erh's nugroove1 with some edited samples of erdie's explosion sample, it ends with a reverse explosion. I took the sweeps out of erh's loop and put them on 2 different tracks, and there is an obvious change in tempo. Some simple delay, uncompressed, a simple eq setting. . . That's all.

I call this my flash boom. It's a sub plus a pitch shifted snare that i created on my track "a flash of light by the shore" use it to create dynamics on a hit or whatever you want. Give a shout out to stark for machines and have fun! :). - chris.

This is a beat i made using the percussion presets form fab filter 1 cm synth for a track i was writing. Each hit was then loaded into abletons impulse drum sampler and tweaked for my pleasure. The snare was subject to some serious stretching,which gives it a rasping sound!fab filter 1 really is a simple but very useful synth.

Just something i put together for fun with my new addictive drums-2 program. I used audacity to drag and drop and then sent it to my sony editing. I duplicated the tracks for a total of three. I like how it sounds and hope you do too. Please comment on what you may use it for. Thanks. :-).

My clap for a film timing mark and my cat charlotte reacting. Sadly, and with a lot of tears shed, charlotte had to be put to sleep in february 2019. We miss her so much. Recorded with my yamaha pocketrak and edited with sony vegas. Track also duplicated. Please comment on what you may use it for. Thanks. :^).

Skates on ice: here is a very specific sound effect. The metallic slash through ice when it is being skated on. There are multiple variations of this in this track due to the amount of contact the blade of the skate has to the ice and also the force being put into the movement. It is a sharp and cold sound. Recorded with the zoom h6, rode ntg.

Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 2 sec).

Do you want more samples? check this out: https://traktrain. Com/johnnieholiday?t=1027543&kit. This track was created using fl studio 20key: cbpm: 120 (duration 3 sec).

Field recording of city park, morning, close to children playyard, sounds of children,some footsteps of pedestrians. Equipment: double ortf shoeps, sound devices 633 w kortwich preamp, first two channels - mix, then separate prefade iso tracks.

John Philip Sousa's "America First" (1916) as performed by the United States Marine Band. Track 74 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Volunteers" (1918) as performed by the United States Marine Band. Track 88 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Columbia's Pride" (1914) as performed by the United States Marine Band. Track 70 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Jack Tar" (1903) as performed by the United States Marine Band. Track 62 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "King Cotton" (1895) as performed by the United States Marine Band. Track 51 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

A Joyous Anthem performed by the Concert Band of the United States Air Force Heartland of America Band. Track 1 from Heartland Journeys (1997). Major Mark R. Peterson, commander/conductor.[1]

John Philip Sousa's "The Naval Reserve" (1917) as performed by the United States Marine Band. Track 77 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Congress Hall" (1882) as performed by the United States Marine Band. Track 17 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Diplomat" (1904) as performed by the United States Marine Band. Track 63 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Christmas Back Home performed by Wild Blue Country of the United States Air Force Band of the Rockies. Track 11 from Christmas from the Rockies (1993).

John Philip Sousa's "The Pride of Pittsburgh" (1901) as performed by the United States Marine Band. Track 60 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Wedding March" (1918) as performed by the United States Marine Band. Track 89 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Invincible Eagle" (1901) as performed by the United States Marine Band. Track 59 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Invincible Eagle" (1901) as performed by the United States Marine Band. Track 59 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Federal" (1910) as performed by the United States Marine Band. Track 68 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "On Parade" (1892) as performed by the United States Marine Band. Track 45 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Review" (1873) as performed by the United States Marine Band. Track 1 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Honored Dead" (1876) as performed by the United States Marine Band. Track 2 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "King Cotton" (1895) as performed by the United States Marine Band. Track 51 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Bride Elect" (1897) as performed by the United States Marine Band. Track 54 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sabre and Spurs" (1918) as performed by the United States Marine Band. Track 85 from the band's 2019 album The Complete Marches of John Philip Sousa: Vol. 5 (1917-1922). Conducted by Lieutenant Colonel Jason K. Fettig.

Believe Me, If All Those Endearing Young Charms performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 13 from Contrasts (2007).

John Philip Sousa's "Mother Goose" (1883) as performed by the United States Marine Band. Track 19 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Forward" (1881) as performed by the United States Marine Band. Track 14 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

O Holy Night performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 5 from the ensembles' 2020 album The Spirit of the Season.

John Philip Sousa's "Guide Right" (1881) as performed by the United States Marine Band. Track 11 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

Ambient synth piece in which every musical element is a pitch palindrome. I used it to experiment with some new softsynths I'd just bought - Korg Gadget. My first track for the disquiet junto... More on this 344th weekly Disquiet Junto project (Careful Symmetries: The Assignment: Explore palindromes in musical form) at disquiet dot com.