2,393 Royalty-Free Audio Tracks for "Tracks"

This is the new traffic signal in town. We watched the stephen hawking show on pbs last night as they tried to filter out voices from space and i thought this would make a good alien voice trying to contact us. Recorded on my yamaha pocketrak with one track duplication and edited with sony vegas. Please comment on what you may use it for. Thanks. :^).

First Call performed by the Concert Band of the United States Air Force Heritage of America Band. Track 6 from disc 1 of Ceremonial Music (2005).

Assembly performed by the Concert Band of the United States Air Force Heritage of America Band. Track 8 from disc 1 of Ceremonial Music (2005).

Three ruffles and flourishes and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 17 from Esprit de Corps (1997).

Till Eulenspiegel's Merry Pranks ("Till Eulenspiegels lustige Streiche", Op. 28) performed by the New England Winds of the United States Air Force Band of Liberty. Track 1 from Discoveries (2010).

21 Hungarian Dances, WoO 1, No. 4 performed by the Strolling Strings of the United States Air Force Band. Track 13 from Strolling Strings 40th Anniversary (1994). Chief Master William Slusser, director.[1][2][3]

In the Bleak Midwinter performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 9 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1]

John Philip Sousa's "The Free Lance" (1906) as performed by the United States Marine Band. Track 64 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Yankee Doodle performed by the Concert Band of the United States Air Force Heritage of America Band. Track 29 from disc 1 of Ceremonial Music (2005).

John Philip Sousa's "In Memoriam" (1881) from President Garfield's funeral as performed by the United States Marine Band. Track 13 from the band's 2015 album The Complete Marches of John Philip Sousa: Vol. 1 (1873-1882). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "El Capitan" (1896) as performed by the United States Marine Band. Track 52 from the band's 2017 album The Complete Marches of John Philip Sousa: Vol. 3 (1889-1898). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Hands Across The Sea" (1899) as performed by the United States Marine Band. Track 56 from the band's 2018 album The Complete Marches of John Philip Sousa: Vol. 4 (1899-1916). Conducted by Lieutenant Colonel Jason K. Fettig.

Der Heyser Bulgar (The Hot Bulgar) performed by the Stellar Brass of the United States Air Force Band of the Rockies. Track 6 from Holiday Brass (2000). Lieutenant Colonel Philip C. Chevallard, commander and director.[1][2][3]

One ruffle and flourish and "Flag Officer's March" performed by the Concert Band of the United States Air Force Band. Track 15 from Esprit de Corps (1997).

Tattoo performed by the Concert Band of the United States Air Force Heritage of America Band. Track 21 from disc 1 of Ceremonial Music (2005).

Sounds of battle in an alien war zone. Experimental film sound track. Morphagene markers set rendered at 48khz 32 bit fp. Enjoy the peace!.

Coastline State of Mind performed by the Silver Wings of the United States Air Force Band. Track 7 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

What Does It Mean performed by the Silver Wings of the United States Air Force Band. Track 5 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

Approaching army? rising nightmare?. Wrote/recorded an eerie nightmare approaching in the distance sound. The sound starts soft and builds to a crescendo. Ezdrummer2 was used w/ a low pass eq filter. Panned left is ableton stock plugin glass cave mirror. Panned right is polar pad. Center is the ezdrummer2 w/ a low pass eq filter combined with the all alone pad stock plugin. Each track is sent to a return track w/ heavy reverb and adjusted for parallel processing. Additional notes:-13. 4 lufs integrated-2. 1 db true peak max. Want something more customized? send me a note or visit my youtube. Com/bainmackhope this helps and is useful for your next project. Cheers,bainmack.

Another very old production, i think this one's from around 2009 even!. Using the reverb of a chord i made on my guitar i created a drone-y, washed out sound. Added some subtle bitcrushed drums, cymbals and a vst synthesizer plays some notes to fill it out a bit, and a dark brooding bass-like instrument pulls up near the end of the track.

A train passing through a wooded area. Recorded in rspb stour estuary woods, wrabness, essex, uk. Recorded with a zoom h6 msh-6 stereo mic on a calm summers day.

Breathing through a 1. 5 metre didgeridoo to obtain a dramatic sound. Pitch and re verb were used for more effect. Bit rate 288kbps. Ngwave pc software. Sennheiser shotgun microphone. I'm new to this and something happened with the upload. Track is running a fair bit slower than i thought it would but feel it's still unusual enough for an underscore. Any comments are welcome.

A synthesized sting made in logic pro x. Credit is appreciated, but i understand that keeping track is kind of a pain. If you use it in your project, feel free to send me a link! i'd love to see it! :).

The track was taken of a heavy aerologic (dhl) boeing 777-fzn freighter during line-up and departure from leipzig-halle airport (germany) on march 06, 2021. Equipment used for recording was a zoom h5 stereo field recorder + 2 rode ntg2 shotgun mics. Registration of the plane was d-aalf. If you like it, i would appreciate your comment. Thanks!.

A nasty cheap telephone ring designed using native instruments fm8 virtual synthesizer, a ring modulator, a moog-like filter (either are included in cockos reaper software), and a free lo-fizer vst plugin. Mono. Used in my own production: https://black-sided-sun. Bandcamp. Com/track/feb-16-day-358. Hopefully it will be useful elsewhere too.

Created by our inhouse finetune music studios artist - dj rds - this drums pack is to help all creators / music producers / artists. Feel free to use / reuse the tracks in this pack for any of your projects. Watch out for this pack as we would keep adding more copyright free music and loops to it.

Hands Across the Sea performed by the Concert Band of the United States Air Force Heritage of America Band. Track 20 from disc 2 of Ceremonial Music (2005).

Gloria performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998). Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[1][2][3][4]

National Emblem performed by the Concert Band of the United States Air Force Heritage of America Band. Track 16 from disc 2 of Ceremonial Music (2005).

Auld Lang Syne performed by the Concert Band of the United States Air Force Heritage of America Band. Track 21 from disc 2 of Ceremonial Music (2005).

St. Julian performed by the Concert Band of the United States Air Force Band of the Rockies. Track from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

1 Ruffle and Flourish and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 37 from disc 1 of Ceremonial Music (2005).

Officer's Center and "Officer of the Day March" performed by the Concert Band of the United States Air Force Heritage of America Band. Track 3 from disc 1 of Ceremonial Music (2005).

I Love What I Do performed by Silver Wings of the United States Air Force Band. Track 1 from Freedom! (2000). Colonel Lowell E. Graham, conducting. Chief Master Sergeant James K. Queen, management.[1][2][3]

Knights of the Road performed by the Concert Band of the United States Air Force Band. Track 10 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2][3]

Invictus performed by the Concert Band of the United States Air Force Band. Track 15 from Front & Center (1998). Recorded at The Center for the Performing Arts, George Mason University, Fairfax, Virginia, June 6 to 8, 1998. Col. Lowell E. Graham, conducting.[1][2]

Bugles and Drums performed by the Concert Band of the United States Air Force Heritage of America Band. Track 5 from disc 1 of Ceremonial Music (2005).

Hark the Herald Angels Sing performed by the Concert Band of the United States Air Force Heritage of America Band. Track 1 from Holly and Ivy (1993). Recorded in 1993 at Chrysler Hall in Norfolk, Virginia.[1][2][3]

Roast Beef of Old England performed by the Concert Band of the United States Air Force Heritage of America Band. Track 28 from disc 1 of Ceremonial Music (2005).

Drum Cadence (2/4 time) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 45 from disc 1 of Ceremonial Music (2005).

The Stars and Stripes Forever performed by the Concert Band of the United States Air Force Heritage of America Band. Track 62 from disc 1 of Ceremonial Music (2005).

Go Falcons performed by the Concert Band of the United States Air Force Band of the Rockies. Track 6 from Footlifters! (1998).[1] Recorded Feb. and June 1998, Pikes Peak Center, Colorado Springs, CO. H. Bruce Gilkes, conductor; Gena R. Stuchbery, associate conductor.[2]

3 Ruffles and Flourishes and General's March performed by the Concert Band of the United States Air Force Heritage of America Band. Track 35 from disc 1 of Ceremonial Music (2005).

Sound created using the wooden rod inside of my coat closet, and recorded on a zoom h2 recorder. This effect was used to create a sort of dungeon ambiance in a musical track. A decent down some steps, some creepy creaking, a little chain movement action, and it all seemed to fit ok. Check it out here: first trackhttps://brookinthebirchwood. Bandcamp. Com/album/disarm-the-mighty. Edited on reaper.

It Came Upon the Midnight Clear (for jazz piano) performed by the Diplomats of the United States Air Force Band. Track 6 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

The Washington Post performed by the Concert Band of the United States Air Force Heritage of America Band. Track 17 from disc 2 of Ceremonial Music (2005).

Taps (solo, straight eighth) performed by the Concert Band of the United States Air Force Heritage of America Band. Track 23 from disc 1 of Ceremonial Music (2005).

Taps with Brass Accompaniment performed by the Concert Band of the United States Air Force Heritage of America Band. Track 25 from disc 1 of Ceremonial Music (2005).

Tiger Rag performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 15 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.