3,255 Royalty-Free Audio Tracks for "Pitch"

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

One of around eight effects created for a production of "a tale of two cities"recording of purpose built model guillotine chopping a mixture of veg. 4 mics were used 1 from top, a couple at the bottom and an attached pzm. Result was pitch shifted down.

A skinny balloon being pumped up using a small pump (similar to a bicycle pump). The sound is wheezy, squeaky, and there are some mechanical clicking components due to the mechanism of the pump. Recorder: olympus digital voice recorder. Microphone: sony ecm-ms907.

A natural poot (fart) with a more or less linear shift from higher to lower pitch. Processed with audacity for a more consistent tone and volume.

One of the many stores near times square (nyc) which are perpetually going out of business installed this public address system recently and was "going to town" trying to bring in customers. It didn't really appear to be impressing anyone.

Dropping coins from hand to hand. Noise reduction, pitch bend, and 38% speed reduction used. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Me unwrapping a candy bar and enjoying it! effects: noise reduction, vol. Envelope, and pitch bend reduction. Recorded on conexant smart audio with at2020 mic, processed on audacity.

Evolving drone pad, i created this with a sequenced bellpad,that i sampled from the kawai k4r, pitched at multiple octaves some reversed some with reverb or delay, mixed with a water stream & windchimes stretched out 10x.

*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.

*Undecimal major third on C = F↓+ (Ben Johnston's notation). 14:11 = 417.51 cents. Limit: 11-limit.

*Undecimal neutral third on C = E↑♭- (Ben Johnston's notation). 11:9 = 347.41 cents. Limit: 11-limit.

This was made as more of a sifi air rifle rather than a "laser" pistol. However it can still work both ways. The track has three sound effects. They all have a "similar" sound but some very in pitch or tempo.

A typical "lasergun" sound effect. Basically a sharp envelope applied to the pitch modulation. It was made in native intruments massive. If you like this sound, you could also check out my tunes on soundcloud: http://soundcloud. Com/beverlyhillsboy.

Very low pitched and subtle rumbling. Protoplasm vst custom settings, applied effects delay, chorus, eq,rendered in fl studio @ 140bpmthe letter and number in the file name represent the note location of the sound.

Modified version of 'arrow whoosh 2. R" by saturdaysoundguy:https://freesound. Org/people/saturdaysoundguy/sounds/391444/. Changed pitch using audacity. This sound was used in the free game, multiverse heroes:https://gamejolt. Com/games/multiverse_heroes/312565.

Screech as finger rubs against balloon. Scratch/creak/buzzing noise like a noisy door opening. Relatively high-pitched and harsh but full sound, good quality - can hear slight echoes. H1 recorder used.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

The result of a preset made a long time ago in logic pro's sculpture pm synth. This pack contains a few varied samples of the preset.

A simple sound effect of me turning a faucet on, letting it run, and then turning it off. The water noise sounds sharp and high pitched. Hope you enjoy, and thanks for checking this out!.

Sound of rw's mechanical heart?. Made with mixpad and wavepad. Took a few heartbeat sounds, overplayed with "warp core", ratchet, a car turning off, pump action shotgun and warning sounds. Plus a few others i cannot remember. Played with speed and pitch.

One of the many morse lines in my 0ktober songs. Different pitch. Decrypt it for secret message!.

*Septimal major third on C = E (Ben Johnston's notation). 9:7 = 435.08 cents. Limit: 7-limit.

*Minor third on C = E♭. Equal-tempered: 23/12:1 = 300 cents. MIDI pitch bend: 0,64

*Septimal minor sixth on C = A♭ (Ben Johnston's notation). 14:9 = 764.92 cents. Limit: 7-limit.

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.

Warrior bass t. Wavfirst i was looking for a kodo drum sounds in freesound but i didn't found it. So i tried to make it myself by choosing a current beatbox sound that i pitched down + exciter +eq and add a large reverb in logic pro.

My voice recorded by iphone 4 mic(directly, near). Without post processing. Singing (shout-like) "hey" word slowly. Highest pitch is f4. October 2017.

Clear cartoon style 'gulp!'. Recorded on blue snowball microphone 7. 10. 2017 - recording for my own animation series, mars tv. (voice of marty the goofball martian - pitched up 28).

Stinger like sound effect which could be used for impact-horror scenes in which something outside the usual morality or humanities have occured. Made from pitch-shifted glass clinking, layering & stereophonic delay.

Recording of myself growling. Applied pitch bend, delay, speed and noise reduction. Recorded with at2020 mic and coexant hd audio, processed using audacity.

(higher pitch and relatively different in terms of character than the original) based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.

Sound sample of a djembe at medium pitch, illustrating the three basic sounds (bass, tone, slap). The sample starts with a binary call, plays three cycles of the accompaniment pattern, and ends with a call. The accompaniment is "passport with a bass": s..ss.tts.bss.tt"

A gibbering mouther roaring at an adventurer. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

High pitch synth stab with resonant filter. [root: g][format: wav][license: cc 0].

Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Dubstep bass: 110 bpm wobble at 1/16th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.

Recorded by britt sandusky, master falconry dude. Falconry bells, which attach to a hawk’s legs, provide the falconer with information about their bird of prey. They can help locate the bird’s location, let the falconer know if the bird is active or stationary, and signal the falconer if the bird is near a predator. Falconry bells come in multiple shapes and are made from metal. Nickel, silver, brass, and bronze are all common materials used for falconry bells. Both the shape and the metal type impacts a bell’s sound quality, along with its pitch, tone, volume, and durability. Oftentimes, individual falconers will have a preference in material type based on which pitches are the easiest for them to hear.

A bassy, wobbly sound effect that can be used for sci-fi weapons and such, created by overlapping pitch-shifted bass synthesizers and adding distortion and drums.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Foley for a bug scurrying along rocks in a glass tank. Quick, high pitched scurry in the pebbles. Made by shaking a plastic jar of almonds.

Basically i recorded a fidget spinner spinning into my windshield of my condenser microphone, it made a cool low end sound. I made some post processing at the end just to make it sound more cohesive. The sound is tuned to g but the pitch slightly bends.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.

Sound of a giant snoring. Sleeping giant sound effect made by pitching down sawing noises and slowing them down. Also amplified the sounds.

A gibbering mouther shrieking after being frightened or damaged. This was done by foley work i was doing for ballad of the seven dice. I modified my voice with numerous effects in audacity to change the pitches as well as layer a number of them together.

I put this recording through a 'pitch looper' a program called cecilia, really cool program if you want to produce something similiar. The original recording i've also uploaded separately was taken with a rode nt4 mic and with a didge of mine in the key of b from northern queensland (kuranda).

An exercise thing which you squeeze that makes a loud creaking noise, sounds interesting pitched down. Recorded with a mid-sides mic setup. Mics used were akg 414, and an oktava mk-012-01 pencil condenser.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (without pitches: unpitched percussion) Created by Hyacinth (talk) 02:04, 23 March 2010 using Sibelius 5.

Sound you would probably hear in a jurassic park or king kong movie i made this using text to speech and then slowed the speed and pitch simultaneouslyp. Slol its actually microsoft david saying go f* yourself. . . . Aint that just scary😂.

Breaths a human would make after they take a sip of a refreshing drink. Recorded on an iphone and x-noised (waves plugin). Also is pitched up and contains reverb.