I just squeezed a rubber bath toy mermaid and lowered the speed. The last voop the duplicated whoosh sound after the first voop but amplified and higher pitch. So yeah. It kind of sounds like a laser being shot or something.
Electric wood sander sanding a sheet of ply wood. Hard, loud and abrasive sound, high volume low pitch. Recorded inside a workshop with a zoom h6 recorder. Audio was post-processed to boost the audio. Wood sander was a bosch 230v.
At the normal pitch of the 17 inch drum, i play several single notes. Feel free to use some sampling or anything!. Recorded with a sm58 in a sound-treated room.
Ghostly female wail. Might be ghosts, or might be deadly sirens calling across misty waters to lure hapless sailors to their doom. Voice synthesis achieved by mixing formant filtered oscillators. Pitch bending is added to the note track to produce a descending, spooky wail.
I made this sound with my microkorg, making lfo1 and lfo2 hella fast, and made them modulate the pitch and amplitude, respectively, at full strength. The values for the frequencies i don't know, but it is fun to dive in to a synth and try to replicate the sounds that you're hearing.
I set a hammer down on a variety of wooden surfaces, so that it could masquerade as someone setting down a big old fire axe in an audiodrama. (it does work to lower the pitch if you're looking for a bigger sound. ) mono recording, zoom h4 internal mic.
A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.
The engine to the hysterical "melody" is formed by a two lfos and a looping envelope performing an ever changing dance of random or maybe chaos. Zooming in and study waveforms in this sound is interesting. The sound is unedited, straight from the analog modular synth. Quantization of the pitch - nope. . .
Cd player mechanics recorded from 5cd charger panasonic cd stereo system sa-pm27. Edited speed and pitch on some parts of audio to gain robotic like mechanics sound.
Field recording made during a walking tour of the boston harbor tunnel while under construction during the "big dig" project: huge echoing bangs with high pitched beeps and machine noise in distance.
I was just messing around with audacity recently and recorded a word "no". Then stretched it out using tempo stretch function (function that streches speed, but does not alter the pitch) maxed out twice in a row. That resulted in such a simple word stretched out to almost 5 minutes. Sounds rather scary and interesting.
Recorded using mixcraft 6 and a shure ush mic. I growled while inhaling and made funny sounds. I added effects and duplicated the track. One was pitched high the other low.
*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:34, 13 December 2009 in Sibelius with quarter tone playback, midi pitch bend on 53 for 1465.625 cents rather than 1466.87. New version created in Sibelius with midi pitch bend on 51,85 for 1466.8701171875 cents rather than 1466.87 cents.
A higher pitch of my original thirteen-chime clock. This sound would be suitable for smaller clocks such as mantel clocks and so on. It is ideal for haunted houses and other horror works. Created in musescore using default soundfont (tubular bells) which is gnu gpl licensed.
A high-quality recording of an old metal bathroom stall. Could easily be slowed down and or pitch adjusted for use as an old jail cell door, metal door, eerie sound, etc.
Layered a nice snare, some noise, clap, and even a really pitched up kick( like 24 semitones up) to get this sound. Added in some tape saturation and compression(rough rider) and voila, i made a dirty snare. :).
Dubstep bass: 110 bpm wobble at 1/8th note, half of the samples as a sine lfo and saw lfo descending. Sampled in ableton using massive, compression using psp compressor2. Random presets with lfo settings on key parts, and very little other effects used, mostly so this sample can be re-sampled. 110 bpm so it can be pitched up which is usually better then having to pitch samples down.
An insectoid clicking noise being used for echo location. I used this for a monster our party faced in ballad of the seven dice. This was done by foley work i was doing. I modified my voice with numerous effects in audacity to change the pitches as well as increase the speed of it.
[the high pitched screeches are not actually present in the audio file] constant sound of a strong wind, great for layering underneath more dynamic environmental recordings. The sound was created in reaktor 6 using fft based granular synthesis.
A normal sized orange balloon was blown up and then blown down by holding the bottom of the balloon very tightly so that minimum air can come out, resulting in the very high pitched screaming sound. A zoom h6 recorder was used, with the xy capsule, in a normal room.
Recorded with audacity 1. 2. 6, then normalized, echo (. 03,. 5), pitch (b to g#/ab, down, -15), delay (10,. 1, 10). Klaxon made using sony acid music studio 8 and sony sound loops.
When my laptop battery is full and the charger cable is plugged in, my microphone makes a weird buzzing noise. I recorded this and slowed it down and altered the pitch a little bit and here you go. Comment if you use it.
I turned my kitchen sink on and off several times. Its a fairly noisy sink. You can hear the faucet squeaking and a high pitched hum that comes from the pipes. Once the faucet is turned off, you can hear the water running down the drain.
Digital manipulation of a sampled bass synth with pitch lfo. Sampling, multiband processing middle frequencies, saturation of low frequencing, filtering and compressing.
Marble falling on a tile: in this sound a marble falls to the ground creating a very high pitch sound when the marble hits the ground multiple times in short succession. Recorded using the zoomh4n and the rode ntg1 condenser shotgun microphone. No processing was done to this sound. The tile is a common bathroom tile.
*Lesser undecimal neutral seventh on C = B↓ (Ben Johnston's notation). 20:11 = 1035 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 1034.375 cents rather than 1035. New version a m7 on 26,75 for 1035.009765625 cents rather than 1035.
*Septimal diatonic semitone/Major diatonic semitone on C = C♯ (Ben Johnston's notation). 15:14 = 119.44 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:33, 13 December 2009 in Sibelius with midi pitch bend on 70 for 1318.75 cents rather than 1319.44. New version an P8+m2 on 28,70 for 1319.43359375 cents rather than 1319.44.
*Undecimal minor sixth/Undecimal augmented fifth on C = G↑- (Ben Johnston's notation). 11:7 = 782.49 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 58 for 781.25 cents rather than 782.49. New version a P5 on 51,90 for 782.4951171875 cents rather than 782.49.
Messing around in logic with some surround impulse responses and delay designs. Ended up with something that sounded a bit like a submarine sonar blip. . So i added the sound of a fridge, time stretched using the flex tool and pitch adjusted and now it sounds almost real :).
Owl hooting: you can hear a very distinct owl sound created through foley by lowing air into folded hand. An almost glissando of pitch is present to create a realistic feel. Recorded with the zoom h6, rode ntg. Great for a night-time scene and to fill up atmosphere an ambiences.
This sound is a recorded sound from a hammer tapping the metal, i modified it using some effects :1-normalize2-change the pitch ( from a#/bb to c)3-change the tempo with percentage=-90. 000. The final sound gives an impression of something that slips over the barriers.
An abstract sound created with bosca ceoil and audacity. The sound has been pitched shifted repeatedly. It is noise, but hopefully you'll find it to be a pleasant sort of noise. If memory serves, some forms of (non-audio) computer data can produce sounds like this if imported into an audio processor.
Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.
A evil sort of claustrophobic hollow winterstormy wind heard from inside some sort of. . . Building or shed. . Pitch up and down for variations , you get different moods. It says its 64kbps 44100khz. . . Its actually a vbr using all the kbps necessary for it to have a non mp3 garbly sound.
Recorded on an ipad from a musical box played very slowly to get a single note. Then topped and tailed in audacity. I made it for use in the program sonic pi eg https://soundcloud. Com/scrbn/march-of-the-tin-soldiers-musical-box-version-played-by-sonic-pi.
Little melody. It is consisting of two sinewaves. I linked a sequenced ring-modulation to the high-pitched sinewave. If you like this sound you might also like my tunes: http://soundcloud. Com/beverlyhillsboy/ check them out! cheers. :).
6 separate tracks of my voice/breathing with pitch bend, delay, reversed, inverted, phased, and eating potato chips for extra effect! noise reduction used. Recorded at home on conexant smart audio and at2020 usb mic, processed with audacity.
I created a basic saw tooth bass pluck using sylenth1, and used image line edison to time stretch, equalize, add reverb, and smooth out the beginning and end of the sound to give it a swelling effect. The sound is tuned to c for easy re pitching to suit different projects.
A rendition of :: http://freesound. Org/people/kkz/sounds/66224/. Just pitched down an octave with another layer 2 notes up so they are modulating plus a bitcrusher with amount going down plus a flange/chorus thing.
Recording of me "growling" that has been highly altered to sound like a demon snarling. Same as "demon_ghost growling 1" but amplified to sound more sinister. Recorded and edited using audacity.
