2,829 Royalty-Free Audio Tracks for "Set"

Organ play from inside a church, next to the musician, in the city of pelt, belgium. Recorded in pelt, belgiumgps 51. 22828102631071, 5. 431923682587322at 08:29amwith ortf setting microphones and sound devices 833 recorderwav, 48khz, 24bit. Check my website dlphnwl. Wordpress. Com.

In dulci jubilo (Gotteslob (1975) 142; Gotteslob (2013) 253); Nun singet und seid froh (Evang. Gesangbuch 35)

Remix of https://freesound. Org/s/365242/. Mixed with improvised drums. Kit:. Sonor s-classixbosphorus master and turk series cymbals. Recording equipment:. Cad drum recording mic setrode nt4 stereo mic for overheadsrode nt2 on floor tom to catch the low end. Recorded into logic with minimal processing.

A sort of renaissancey version of the first two lines of ding dong merrily on high, composed on cubase with samples from the edirol orchestral plug in (a bit of harp, french horn, alto flute and violin with kettle drum and sleigh bell percussion). This was for the intro to a radio sketch but hopefully could be useful for other theme setting. Sorry in advance for not doing the whole song.

Recording of footsteps on a wet cement/puddles street during winter. Near the end of the recording a bird can be heard. If you can tell me what bird, you win a prize! (just kidding. . I have no prizes). Recorded on an h2n zoom recorder, m/s raw setting.

The soundscapes set contains various soundeffects usable in a wide range of productions but especially suited for ambient music and video/game productions. All the sounds were created in reason 9 using a variety of synthesizers and sound sources processed thru a host of effects. All samples are in 24 bit, 44. 1khz. Enjoy!.

I set up a zoom h6 about 12 inches away from an heavy old closet door with an ancient door knob. Enjoy the freedom of creative commons!. -keith nolan. P. S. This was recorded as a mid side stereo.

A few minutes of early fireworks that i couldn't escape, so i recorded them. Hope you can use it. This turkey lives about a hundred yards from me. The soft sound of passing cars, the little bursts of legal fireworks from time to time serve set it off.

Field recording made at the south side of the lincoln memorial in washington d. C. Recorder is facing the tidal basin to the southeast, with ohio drive and it's traffic in the mid-range. Recording conducted in march 2012 with a zoom h2, mics set to 90° dispersion.

Erh's nugroove1 with some edited samples of erdie's explosion sample, it ends with a reverse explosion. I took the sweeps out of erh's loop and put them on 2 different tracks, and there is an obvious change in tempo. Some simple delay, uncompressed, a simple eq setting. . . That's all.

Ein Kind geborn zu Betlehem; Gotteslob (1975) 146; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 740

Herr Jesu Christ, dich zu uns wend, Evang. Gesangbuch 155; Gotteslob (1975) 516; Gotteslob (2013) 147

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

An answering machine, with the message set as "hi it's me. Leave a message. ". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

Rain and thunder with some light traffic, relatively close. Urban setting. Recorded in staten island, ny june 4, 2021 with the on board x-y mic of a zoom h4n pro from the 2nd floor window of an nyc townhouse (first part facing the street, second part facing the back).

Arcade ambience: here you can hear the stark sounds of an arcade. With electronic beats as background and the crashing of machines and games in the forefront. Bumper cars bumping into each other creates beautiful crashes and the laughter and mumbling of children are ever-present. Recorded with the zoom h6, rode ntg in an actual arcade. This sound is great for setting a mood or scene and thus creating a soundscape.

The sound is a mic going to a boss me-30 on pitch shifter setting, to various other effects, and then to a boss dd-20 in sound on sound mode, then to an alesis nanoverb. All the sounds are my voice being effected/looped by the pedals. The beginning part is a cough with another vocal sound layered which sounds similar to a violin. . . Recorded direct to sound card.

O selige Nacht (Melodie Augsburg 1810); Gotteslob (1975) Köln 841; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 737 I

Sounds of battle in an alien war zone. Experimental film sound track. Morphagene markers set rendered at 48khz 32 bit fp. Enjoy the peace!.

Quick recording of some thunder during light rain. Urban setting with birds quietly chirping in the background. Some heavier water drops can be heard closer to the microphone. Recorded with a blue yeti pro (stereo mode) with a sock for wind protection through the scarlett 2i4 interface.

A simple arpeggiated chord. Spaghetti-western guitar is a set of distorted, semi-ambient electric guitar. It was made with stereotypical cowboy themes in mind, but could be adapted for other uses. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Old father time grumbling about timewasting to a digital clock background. 14 markers set and rendered @48khz 323 bit fp for you morphagene fans out there. Enjoy but don't waste too much time on it. . .

It's me, it's me, it's me, o Lord Du, Herr, gabst uns dein festes Wort (Gotteslob Passau 820) - Du schufst, Herr, unsre Erde gut (Evang. Gesangbuch Bayern-Thüringen 652)

Gregorianische Antiphon Tu es Petrus, et super hanc petram aedificabo Ecclesiam meam - "Du bist Petrus, und auf diesen Felsen werde ich meine Kirche bauen" (Gotteslob (2013) 486)

Wunderschön prächtige, Marienlied (Gotteslob Diözesananhang Hildesheim 875)Slovenčina: Predivne spanilá, http://www.nws.sk/ssv/JKS/index.php?a=123 No 367Cześć Ci i chwała, https://musicamsacram.pl/spiewniki/pokaz/37-Spiewnik-koscielny-wyd-XLI No 328

. . Inside an intercity (ic) near stuttgart. Recorded in an almost empty train on a fairly even route section at a quite constant velocity, sitting in a cabin for six passengers with five empty seats, compartment door closed at around 8 pm. Recorded with a portable stereo recorder (zoom) set to 96000 hz and 24 bit.

7 sets of wind chimes, one of bamboo & 6 metal of varying tones & sizes from 18” to 72”, played manually in studio, single track, to simulate a brisk summer breeze on the back deck. Recorded on zoom h4, centered, at 6-feet, in soundwell studio, boise idaho usa.

This was a recording i made on a zoom h2 of a cat's purr, ran thru several filters until i had what i wanted, a repeating, ordered, police like siren underwater. Recorded at the highest wav settings on my h2, so it should be decent enough. (chirping sound heard on freesound disappears on full downloaded version. ).

I climbed down a narrow rock cave to record the eerie sounds of waves and water pouring in and out of the cave. It seems like it's never exactly the same sound. Good for setting ambiance in a cave for your treasure hunting pirate movie or audiobook.

Hey, haggled a pawn shop owner into selling me an alesis micron for 125$ hehe, i have some sex appeal baby. *blush*. These some idm samples i pulled off of it by playing with the synth setting, they have went through no mastering and are rather large files, so or that i am sorry, thanks!.

Wie schön leuchtet der Morgenstern (Gotteslob (1975) 554; Gotteslob (2013) 357; Ev. Gsb. 70), T.+M. Philipp Nicolai, Satz Peter Gerloff

Lasst uns erfreuen herzlich sehr (Gotteslob (1975) 585; Gotteslob (2013) 533); Maria aufgenommen ist (Gotteslob (2013) 522); Gottes Geschöpfe, kommt zuhauf (Evang. Gesangbuch 514)

Nederlands: Gelukkig is het land - De Geest des Heren heeft een nieuw begin gemaakt (Huub Oosterhuis) Der Geist des Herrn hat uns den Anfang neu geschenkt, Gotteslob Freiburg / Rottenburg-Stuttgart Nr. 863

Gotteslob (1975) Anhang Hildesheim 818; Gotteslob (2013) Anhang Kirchenprovinz Hamburg 749: "Hör uns, o Schöpfer voller Huld", Text Vinzenz Stebler, Melodie Luther/Leisentritt

Ach wie flüchtig, ach wie nichtig; Evang. Gesangbuch 528; Gotteslob (1975) 657; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 921

Time passing by vicious and malevolent indifferent sadistic tick-tock. Drone generated in strega and o-coast, mods by o-ctrl, passed through maths modulated qmmg (settings on "both") and then into erbe-verbenjoy!.

I climbed down a narrow rock cave to record the eerie sounds of waves and water pouring in and out of the cave. It seems like it's never exactly the same sound. Good for setting ambiance in a cave for your treasure hunting pirate movie or audiobook.

Request. I used:samson condenser microphone. Presonus audiobox 22vsl pre-amp. Software: studio one. Effects & settings: no effectssample: my own voice. Voice: female speech, slow, sexylayers: 1 voices. Recorded where: the netherlandsrecorded date:: 2018-08-08.

Recording of a windy winter morning in residential ontario. Wind-chimes can heard, as well as birds chirping. Heavy sound of wind in nearby trees can be heard. Recorded on an h2n zoom recorder, using the m/s raw setting. Decoded, and side channel brought down 5 db.

Do the harlem shake? why not the paint can shake?. Needed to replicate someone shaking a jerry can to check if there is fuel inside. Because someone didn't think to add water or something in it while they were on set filming the bloody thing. So the closest thing i could find to recreate the sound was an old paint can down stairs.

Dvw500 in standby-off mode, idling. This sample is part of a set featuring the interior of a sony dvw500 digital video tape recorder with a tape loaded and performing various playback operations. Recorded with a pair of soundman okmii mics inserted into the unit via the cassette-slot.

A short clip of a small volume of liquid being transferred from one container to another with a nice ringing quality to it. I believe this is tea being poured into a mug, but i don't remember specifically. Recorded with a zoom h4n and edited in audacity. Apologies for the high noise floor on this clip, i had my preamp set for something else!.

So the name of this is ''fantastic end!!!'' is a skirt from the book of death rhymes. The book of death rhymes is a mixtape i'm doing, you can check the evolution of it on :https://soundcloud. Com/paranormallproductions/sets/death-rhymes-the-book-mixtape. Feel free for use it, got some words and things that maybe can be usefull.

4-ch surround field recording of the night-time ambience in my parents' garden, located between to streams in the south german odenwald mountain area. Clean, neutral forest and stream atmo for any purpose. Recorded in december 2013 with a zoom h2, these are the front channels, mics set to 90° dispersion.

Heilger Geist, du Tröster mein (Evang. Gesangbuch 128) Komm, o Tröster, Heilger Geist (Gotteslob (1975) 250; Gotteslob (2013) 349), Nachdichtung der Pfingstsequenz Veni Sancte Spiritus

HaTikwa - Die Hoffnung.Übertragung (R.F.): Immer, solang ein jüdisches Herz Sehnsucht empfindet heimatwärts, solang eines Juden Seele und Blick ausdauernd strebt nach Zions Glück: so lang ist die Hoffnung unversehrt, die zweitausend Jahre lang uns nährt: |: sicher zu wohnen, nahe unserm Quell, in Jerusalem, im Land Israel. :|

Veni, veni, Emmanuel O komm, o komm, du Morgenstern (Evang. Gesangbuch 19); Herr, send herab uns deinen Sohn (Gotteslob (2013) 222); O komm, o komm, Immanuel (Gotteslob Diözesanteil Hamburg-Hildesheim-Osnabrück 730)

w:Vasily Agapkin's w:Farewell of Slavianka recorded by the w:United States Coast Guard Band on the 2006 album The Russian Connection, Commander Kenneth W. Megan, conductor. Recorded using Audacity sound capture of a streaming feed with one earphone jacked into the microphone and Audacity set to Speakers and Dual Headphones/Stereo Mix.

Sample of the doepfer a-110-1 rectangle output. Pulse width is set to around 50%, so it should roughly be a square wave. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.