2,829 Royalty-Free Audio Tracks for "Set"

Mitten wir im Leben sind mit dem Tod umfangen (Evang. Gesangbuch 518; Gotteslob (1975) 654; Gotteslob (2013) 503)

Kommet, ihr Hirten; Evang. Gesangbuch 48; Gotteslob (1975) Hildesheim 816; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 735

Let us break bread together on our knees Kommt, wir teilen das Brot am Tisch des Herrn, Evangelisches Gesangbuch Bayern-Thüringen 579

Lobt Gott, ihr Christen alle gleich (Evang. Gesangbuch 27; Gotteslob (1975) 134; Gotteslob (2013) 247)

So the name of this is ''fantastic end!!!'' is a skirt from the book of death rhymes. The book of death rhymes is a mixtape i'm doing, you can check the evolution of it on :https://soundcloud. Com/paranormallproductions/sets/death-rhymes-the-book-mixtape. Feel free for use it, got some words and things that maybe can be usefull.

4-ch surround field recording of the night-time ambience in my parents' garden, located between to streams in the south german odenwald mountain area. Clean, neutral forest and stream atmo for any purpose. Recorded in december 2013 with a zoom h2, these are the front channels, mics set to 90° dispersion.

A short clip of a small volume of liquid being transferred from one container to another with a nice ringing quality to it. I believe this is tea being poured into a mug, but i don't remember specifically. Recorded with a zoom h4n and edited in audacity. Apologies for the high noise floor on this clip, i had my preamp set for something else!.

Dvw500 in standby-off mode, idling. This sample is part of a set featuring the interior of a sony dvw500 digital video tape recorder with a tape loaded and performing various playback operations. Recorded with a pair of soundman okmii mics inserted into the unit via the cassette-slot.

Heilger Geist, du Tröster mein (Evang. Gesangbuch 128) Komm, o Tröster, Heilger Geist (Gotteslob (1975) 250; Gotteslob (2013) 349), Nachdichtung der Pfingstsequenz Veni Sancte Spiritus

HaTikwa - Die Hoffnung.Übertragung (R.F.): Immer, solang ein jüdisches Herz Sehnsucht empfindet heimatwärts, solang eines Juden Seele und Blick ausdauernd strebt nach Zions Glück: so lang ist die Hoffnung unversehrt, die zweitausend Jahre lang uns nährt: |: sicher zu wohnen, nahe unserm Quell, in Jerusalem, im Land Israel. :|

Veni, veni, Emmanuel O komm, o komm, du Morgenstern (Evang. Gesangbuch 19); Herr, send herab uns deinen Sohn (Gotteslob (2013) 222); O komm, o komm, Immanuel (Gotteslob Diözesanteil Hamburg-Hildesheim-Osnabrück 730)

w:Vasily Agapkin's w:Farewell of Slavianka recorded by the w:United States Coast Guard Band on the 2006 album The Russian Connection, Commander Kenneth W. Megan, conductor. Recorded using Audacity sound capture of a streaming feed with one earphone jacked into the microphone and Audacity set to Speakers and Dual Headphones/Stereo Mix.

This is the sound of my alarm clock beeping. In my opinion, it's one of the worst alarm clock sounds in the world, with a horrible, grating alarm sound. Sorry about the part where i yell at my crew, and the dialogue about the shower curtain. Also when i say "yeah, bitches. " it had been a long day on set.

Traffic recorded from a balcony of an apartment building near a busy avenue in ottawa, canada. Recording setup:. - device: zoom handy recorder h1 with xy-capsule- low cut: yes (80hz)- auto level: off (set to 50)- rec format: stereo 16-bit/44. 1 khz wav.

Recording of traffic passing overheard, underneath a bridge spanning the bow river, in banff, alberta, canada. A car passes from right to left 1/3 of the way through the recording. Recorded during winter. Snowy and cold. Recorded using the h2n zoom recorder on the m/s raw setting. Decoded to stereo.

A soundscape of an august summer field bordered by thick woods. Note the cool sound of a bee buzz fly-by at 5 seconds into the recording. Recording made with: (1) marantz pmd661 modified by oade electronics. (2) samson co2 matching stereo microphones placed on a microphone stand about3 feet above the ground. (3) record volume set on 7.

Acoustic drums playing a groove reminiscent of abba's dancing queen, but at a slower tempo, 94bpm. Recorded with a zoom h2n in xy configuration slightly behind the drum set throne. Drums are yamaha stage custom (birch wood shells), except for the bass drum (a 16x12 inch kick from a millenium youngster kit).

Es ist ein Ros entsprungen, Gotteslob (2013) 243; Gotteslob (1975) 132; Evang. Gesangbuch 30

Looped files and added header informations for the files from saif sameer pack "sy99 afm fm waveform operators" https://freesound. Org/people/saif_sameer/packs/31288/. Looped sounds, added header infos loop settings, root key, key range, velocity range, tune and gain. Thanks for sharing sameer!.

A slowed down and heavily edited recording of a chemical boiling i recorded in my chemistry class. Sounds like a large reservoir of lava, so it be suitable in a volcano setting. Has less treble than lava loop 3. Loops perfectly. Recorded with a zoom h4n pro on 08/05/2019. Edited in audacity.

An answering machine, with the message set as "hi it's me. I'm out of town until monday. Just leave a message. ". Edit: i see a lot of people are enjoying this sound! if you'd like to donate a dollar or two towards my personal starving artist fund here is a donation link: https://www. Paypal. Me/baharv89.

This is a sci-fi ambient drone sound i made. It's creative commons cc0, so please treat it as public domain. You can use it in any commercial or non-commercial media for free, no restrictions. For those curious how i made this, i took a quick 8-second drum loop from my pocket operator po-33 (ko) and ran it through a free time-stretching/pitch-shifting program called akaizer. The program's based on old samplers like the akai s1000 that had extremely artifact-heavy time-stretching and pitch-shifting features. If you slow a sound down enough, the final product tends to sound harsh and electric. Akaizer turned my 8-second drum loop into 2 minutes and 38 seconds of harsh, bassy noise, pretty damn close to the final. Then i imported the file (we'll call it file a) into reaper, my daw. Track 1 has reaeq with a high-shelf acting like a low-pass. Its curve is set at 1386. 2 hz, gain at -inf, and bandwidth at 2. In retrospect, i have no idea why i didn't use a low-pass. Track 1 has a send to a blank track 2, which has a fab-filter pro-q 3 high-pass filter with a 12db slope. It's at 320. 57hz, q is 1. 096. After the eq, track 2 has valhalla shimmer set to the black hole preset with no changes. Track 3 is the default file a with valhalla shimmer on the black hole setting, but with two tweaks. Low-cut is at 30hz, high-cut is at 6630hz. Everything else is the same. That's followed by fab-filter pro-q 3 with these eq settings:-0. 72db at 69. 463hz, q at 1. 007. -1. 11db at 536. 64hz, q at 1. 013, dynamic eq (click "make dynamic" and leave everything as-is). The point of this dynamic eq is to give a slight drop in gain in the 500hz region, which tends to get muddy in larger mixes. I wasn't sure if i'd use this for a larger project, and i didn't want build-up in that region from the already large-sounding track 1 and 2. The ocassional eq drops here also adds a warble to the final mix that helps sell an analog, electrical sound. +0. 85db at 3697. 3hz, q at 1. 009. This is to add subtle airiness to the drone. It seems weird to have "airiness" in the 3-4k region, but it's the sort of rumbliness of the sound traveling away and dissipating in the atmosphere after the lowest drone sounds. My volume fader settings for all 3 tracks:. Track 1: -8. 59 dbtrack 2: -6. 46 dbtrack 3: -6. 43 db. On my master bus, i have izotope imager 9 with these settings:. Band 1: width at -100 (mono) for 59hz and below. Band 2: nothing at 60hz to 525hz (width at 0). Band 3: width at 48. 1 for 526 to 1. 4khz. Band 4: width at 49. 4 at 1. 4khz and above. Stereoize is set to 6. 4ms on mode i. And that's it! no compressors or limiters anywhere, since i liked how dynamic the actual tracks were and i figure you can always add your own compressor or limiter to the final if you want. I've also added the original po-33 drum loop on my page, as well as the loop after it was run through akaizer but before it hit reaper in case you want to do your own processing. Enjoy :).

We develop iphone app that perform musical analysis on recorded audio from the iphone. Our app implementation make use of the audio queue service to receive raw audio buffers from the audio queue callback. In the first version of our app we had the problem of too much clipping on the recording which degrade the accuracy of our analysis. We also suspected that the noise canceling algorithm in iphone 5 produce distorted sound, which is not much noticeable by human ear but distorted enough to affect our sensitive algorithm. We found that the solution to our problem is to set the audio session mode to kaudiosessionmode_measurement. This session mode is supposed to give maximum freedom for us to control the microphone input, which include turning off the automatic gain control and probably noise canceling as well. The solution works very well except that it introduce a strange waveform pattern in the beginning of all recordings in iphone 5. It is very hard to explain the waveform we get, so i made two recordings at freesound so that you can see it visually. The first recording is made in an almost quite environment, and you can see the weird spike in the beginning of the recording. The second recording (this recording) is made with constant background noise, and you can see that the actual sound wave is offset from the strange curve and gradually increase to its original volume. This waveform only happens on iphone 5 devices that we tested, and there is no problem at all for iphone 4s and older generations. We have tried various settings and the glitch is still unavoidable as long as we set the audio session mode to kaudiosessionmode_measurement. We also find similar glitch in one of our iphone 5 devices, in which the glitch happens even if we try to set just the input gain level without changing the session mode. We are not sure if this is a hardware-related bug in iphone 5, or if it is fixable software glitch in the future version of ios. For the moment we are looking for workaround that can avoid this glitch while automatic gain control and noise canceling are disabled.

Field recording of elevated subway train in queens. The n and w trains take a sharp turn here, causing the wheels to squeal. Recorded using tascam dr-1 on 24-bit uncompressed setting. Used roll-off at 40 hz to save my speakers. I used a windscreen to cut down on wind noise which can otherwise be a problem on this recorder.

This file has two different wavetable sets (from waveedit website), spliced per wave and saved in morphagene format. Once loaded, you can skip waves with the shift button, create a two voice synth, morph between l/r channels (e. G. With xpan), modulate l with r channel, etc. Changing morph, gene and size cv can dramatically ruin the sound.

4ch-surround field-recording of an old watermill in the village of gollmitz in brandenburg/germany. This clip is the rear channels, mic'd at close range near the edge of the waterwheel, the sluicing sound of water falling out of the wheel is clearly discernible. Recording conducted with a zoom h2, mics set to 120° dispersion.

My headset was plugged in into internal audio device, capture level sets to maximum and used command:arecord -c2 -f cd -d 10 internalaudiodevicenoise. Wav. Yes, guys, it's linux! :-). So pretty noise generated by very cheap device!as you can see from the console command, audiofile have the next format: signed 16 bit little endian, rate 44100 hz, stereo, duration 10 seconds.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Grudge movie croak sound interpretation. The sound was created using my own voice drawing in air while croaking. It was recorded using mixcraft 6 and a samson q1u microphone. The only effects used were a delay set to long repeat, a touch of reverb while mixing and some compression while recording. But the sound is my voice, in fact all the sounds i upload here are self made. :o).

Recording of a male slowly breathing in through his nose which i made for a poetic video edit. 4 slower + 1 fast breaths in. 3 slower breaths out. Recorded with my rode ntg-2 on a tascam dr-40 at 96khz 24-bit. Cut in premiere pro and exported with same settings as recorded.

Stereo recording of the main printing floor of a printing firm in berlin/germany. Recording was conducted in the rear of the hall, printing machines are running and idling, some workers' voices can be heard in the background. Recorded with a zoom h2n, mics set to 90° dispersion. This recording is also available in 5. 1 surround. Drop me a message if you want it.

I needed the sound of a plastic recycle bin being rolled out to the curb. I set my zoom h1n on the sidewalk at the end of my driveway and - in two trips - rolled the cans out to the curb. You will hear me walking to the cans in the right channel, the garbage bin is rolled from the right channel to the center-left. Then repeat for the recycle bin.

Timestamp ymd : 20220130recording equipment : zoom h5 stock capsule micdescription of the sound : tinyhawk 2 micro quadcopter flying, microphone set at waist level and i'm flying infront of it, more or less hovering. Recorded indoor. Hope you enjoy :)ps: id love to hear how you use this sound, feel free to link your creations or share how/why you listen to this :).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Warum sollt ich mich denn grämen, Evang. Gesangbuch 370 Lasst und Gott, dem Herrn, lobsingen, Gotteslob (1975) Hildesheim 840; Gotteslob (2013) Hamburg-Hildesheim-Osnabrück 820

Kommt und lasst uns Christus ehren; Evang. Gesangbuch 39 Hört, es singt und klingt mit Schalle; Gotteslob (1975) 139; Gotteslob (2013) 240

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

City Ambiance sound effect. Great for a movie or game that is set in an inner city or downtown area. You can clearly hear cop or ambulance sirens in the background.

In an after death setting, you may be temporarily parked in an waiting room, before the admission to the paradise. A strange door opens and closes, a ring sounds (the saint peter's office?), whispered voices, steps, echoed little noises. Registration made into an empty big church, with very few people praying and some maintenance operations. Equipment used: sony icd-sx800d, external microphone rode ntg-2.

Billy Murray sings "You're a Grand Old Flag". This recording contains the second of three sets of lyrics written for the song. ("You're a grand old flag, tho' you're torn to a rag...")

Binaural recording made in the reading area of a well-known downtown denver bookstore. Various quiet sounds of human activity (and one espresso machine) lurk. Sound professionals ms-tfb-2 binaural microphone set, 12vdc battery box, sound devices mixpre-6, recorded at 24/96, normalized and downsampled to 16/44. 1 stereo in cooledit 2000.

French composer Erik Satie created several works for the piano entitled Gnossienne. This is the second piece in a set of three composed before the three works explicitly titled Gnossienne, but not published until after the composer's death, and not originally titled Gnossienne or numbered as such, and the fifth piece of what ultimately became seven works that shared the name Gnossienne. This rendition was performed by the La Pianista.

A fidgety drum and bass loop with a cowbell, a bunch of claps, shakers and tambourines, arranged in fl studio, run through fl studio's gross beat plugin, which was set to 1/2 speed slow, and this is what the original and the processed drumloop sound like combined.

While i was playing around with some "extreme settings" on my technosaurus micron, this rhythmic structure came out. The bleeps are from the resonance of the 12 pole filter, driven by the lfo. Here, the lfo is driving also the oscillator pitch, resulting in a rhythm shift. Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Pack Up Your Troubles in Your Old Kit-Bag, and Smile, Smile, Smile is the full name of a World War I marching song, published in 1915 in London. It was written by George Henry Powell under the pseudonym of "George Asaf", and set to music by his brother Felix Powell. This is the version sung by Helen Clark.

Title Aleatoric Music with 5 pdsounds Artist stephan Original mp3 data Length:1:17 minutes (1.18 MB) Format:MP3 Stereo 44kHz 128Kbps (CBR) User tags aleatoric, Background, glum, lonely, Music, random, soothing Type Experiment PDSounds record number 268 Comment Aleatoric music made by randomly playing a set of 5 sounds of pdsounds.org Impression: lonely, empty, glum

Geh aus, mein Herz, und suche Freud (Evang. Gesangbuch 503; Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 865)Dich lobt, mein Gott, was du gemacht (Gotteslob (2013) Ausgabe Kirchenprovinz Hamburg 812

This is a recording i took in my back yard on the 4th of july 2014. There are the sounds of crickets as neighborhood fireworks being set off faintly in the background sounding almost like a war zone. The house is off a busy street, so there is also some traffic sounds. Neighborhood dogs bark at the fireworks faintly in the background.